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Palazzetto Bru Zane. Portraits vol.3 – Marie Jaëll (24/96 FLAC)

Palazzetto Bru Zane. Portraits vol.3 - Marie Jaëll (24/96 FLAC)
Palazzetto Bru Zane. Portraits vol.3 – Marie Jaëll (24/96 FLAC)


Composer: Marie Jaëll
Performer: David Bismuth, Lidija Bizjak, Sanja Bizjak, Dana Ciocarlie, Romain Descharmes, Nicolas Stavy, Chantal Santon-Jeffery, David Violi, Xavier Phillips
Orchestra: Orchestre National de Lille, Brussels Philharmonic Orchestra
Conductor: Hervé Niquet, Joseph Swensen
Format: FLAC (tracks)
Label: Bru Zane
Catalogue: ES1022RSK
Release: 2016
Size: 2.87 GB
Recovery: +3%
Scan: yes

CD 01
La Légende des ours
01. I. Folies d’ours
02. II. Amour brûlant
03. III. Désir ardent
04. IV. Amour involontaire
05. V. Union malheureuse
06. VI. Épilogue

Concerto pour violoncelle et orchestre en Fa Majeur
07. I. Allegro moderato
08. II. Andantino sostenuto
09. III. Vivace molto

Les Beaux Jours
10. I. Calme des beaux jours
11. II. Berger et bergère
12. III. Murmure de la forêt
13. IV. Incendie de broussailles
14. V. Tocsin
15. VI. Les senteurs du jasmin
16. VII. Murmures du ruisseau
17. VIII. Après la valse
18. IX. Aimable badinage
19. X. Le pâtre et l’écho
20. XI. On rit
21. XII. On rêve au mauvais temps

CD 02
Concerto pour piano et orchestre No. 2 en Ut Mineur
01. I. Allegro
02. II. Andante
03. III. Più lento
04. IV. Vivace non troppo

Concerto pour piano et orchestre No. 1 en Ré Mineur
05. I. Lento – Allegro moderato
06. II. Adagio
07. III. Allegro con brio

CD 03
Douze valses et finale pour piano à quatre mains, Op. 8
01. I. Allegro con brio
02. II. Moderato
03. III. Animato giocoso
04. IV. Allegro fuocoso
05. V. Capriccioso
06. VI. Quasi lento con tenerezza
07. VII. Tempo giusto
08. VIII. Allegretto cantabile
09. IX. Allegretto amoroso
10. X. Andantino melanconico
11. XI. Allegro armonioso
12. XII. Allegro dolce fantastico
13. XIII. Finale (Vivace fuocoso)

Ce qu’on entend dans l’Enfer
14. III. Appel
15. V. Blasphèmes

Ce qu’on entend dans le Purgatoire
16. I. Pressentiments
17. V. Maintenant et jadis

Ce qu’on entend dans le Paradis
18. I. Apaisement
19. IV. Quiétude

Les Jours pluvieux
20. I. Quelques gouttes de pluie
21. II. Vent et pluie
22. III. Grisaille
23. IV. Petite pluie fine
24. V. En querelle
25. VI. À l’abri
26. VII. Morose
27. VIII. On pleure
28. IX. L’orage ne vient pas
29. X. Roses flétries
30. XI. Ennuyeux comme la pluie
31. XII. On rêve au beau temps

Marie Jaëll probably represents the most authoritative and accomplished expression of the nineteenth century woman musician. In spite of her coming from the provinces and despite the heavy social restrictions imposed on artists of her gender, she nonetheless succeeded in being recognized as a virtuoso, a composer and as a teacher. Support from her husband – the Austrian pianist Alfred Jaëll – greatly contributed to the positive reception of her initial works for the piano, but it was by herself, armed with her talent and her resolve in the latter part of her life, that she faced up to the Parisian hurly-burly in which she proved herself to be one of its distinctive figures. While her learning method is still taught in various different countries, little interest thus far has been shown in her music, which in the greater part is held in the Bibliothèque Nationale et Universitaire in Strasbourg. Formidable and ambitious symphonic works are revealed on this book-cd as well as a significant facet of her compositions for the piano.

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