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Xiayin Wang: Danielpour – The Enchanted Garden (FLAC)

Xiayin Wang: Danielpour - The Enchanted Garden (FLAC)
Xiayin Wang: Danielpour – The Enchanted Garden (FLAC)

Composer: Richard Danielpour
Performer: Xiayin Wang
Format: FLAC (tracks)
Label: Naxos
Catalogue: 8559669
Release: 2011
Size: 136 MB
Recovery: +3%
Scan: cover

Preludes, Book 1, “The Enchanted Garden”
01. No. 1, Promenade
02. No. 2, Mardi Gras
03. No. 3, Childhood Memory
04. No. 4, From the Underground
05. No. 5, Night

Preludes, Book 2, “The Enchanted Garden”
06. No. 1, Persepolis
07. No. 2, Surrounded by Idiots
08. No. 3, Elegy
09. No. 4, Lean Kat Stride
10. No. 5, A Community of Silence
11. No. 6, There’s a Ghost in My Room!
12. No. 7, Winter Solstice

“The first book of The Enchanted Garden was composed in 1992; the five preludes in that cycle were musical responses to dreams that I had and had eventually written about. The second book, written nearly seventeen years later in 2009, includes seven preludes; experiences and memories both recent and historical are the sources here and the origins of the titles.” Richard Danielpour

Trained in Shanghai and New York, pianist Xiayin Wang is definitely one to watch. Her strengths are numerous: sheer power, an ability to pick a melody out of a complex texture, and an ability to keep a poetic spirit in the midst of extreme virtuoso difficulties. On top of all this is a feel for African-American rhythms, something not so common in pianists from the Asian sphere. Check out her recording of Earl Wild’s bone-crushing fantasies on Gershwin. Her facility with jazz and especially ragtime also serves her well in these preludes by American composer Richard Danielpour, who composed the two sets of preludes 17 years apart and collectively titled them The Enchanted Garden. The second set was commissioned by Wang herself, and she clearly inhabits these highly pianistic works that suggest Debussy and sometimes Poulenc, with the harmonic language and the ragtime content of each ramped up a bit. Sample the “Lean Kat Stride,” from book II (track 9), to hear the verve Wang brings to American idioms. The sound, recorded at the American Academy of Arts and Letters, is ideal for this music, and the album as a whole may be worth collecting just so you can say you knew her when.

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