Composer: Alberto Ginastera, Charles Camille Saint-Saëns, Pyotr Il’yich Tchaikovsky
Performer: Sol Gabetta
Orchestra: Munich Radio Orchestra
Conductor: Ari Rasilainen
Format: FLAC (tracks)
Label: RCA
Catalogue: 82876869002
Release: 2011
Size: 268 MB
Recovery: +3%
Scan: cover
Tchaikovsky: Variations on a Rococo Theme, Op. 33
01. Moderato quasi Andante
02. Tema: Moderato semplice
03. Variation I: Tempo del tema
04. Variation II: Tempo del tema
05. Variation III: Andante sostenuto
06. Variation IV: Andante grazioso
07. Variation V: Allegro moderato
08. Variation VI: Andante
09. Variation VII e Coda: Allegro vivo
10. Tchaikovsky: Andante Cantabile (from String Quartet No. 1 in D Op. 11)
11. Tchaikovsky: Pezzo capriccioso, Op. 62
12. Tchaikovsky: Nocturne, Op. 19 No. 4
Saint-Saëns: Cello Concerto No. 1, Op. 33
13 .Allegro non troppo
14. Allegretto con moto
15. Tempo primo
16. Ginastera: Pampeana No. 2 for cello & piano, Op. 21
Cellist Sol Gabetta possesses a beautifully singing tone, an evenly warm sound across the range of her instrument, precise intonation, and a large array of colors and techniques at her disposal. Yet her debut album fails to make a tremendous impact on its listeners. While sheer technique and virtuosity shouldn’t win out over considerations of musical artistry, works like the Rococo Variations still require at least a little bit of sparkle and dazzle to maintain the excitement. Despite her amply beautiful sound, Gabetta’s interpretation comes across as cautious and lackluster. The seven variations lack adequate distinction in tempo and character, with the third, fourth, and sixth variations being interminably slow. The Saint-Saëns concerto is slightly more vigorous in the first theme, but by the second theme the tempo once again comes almost to a standstill. Ginastera’s Pampeana No. 2, heard here in a version for cello and string orchestra, is the most interesting and vivacious piece on the disc, but is still not as fiery as it should be. The orchestra accompaniment is similarly sluggish and the playing in the string section is often imprecise. While listeners will most likely enjoy Gabetta’s rich sound, they may wish to look elsewhere for a more lively and varied performance of all the works heard here.