Performer: Russell Oberlin
Format: FLAC (tracks)
Label: Deutsche Grammophon
Catalogue: 4864034
Release: 2023
Size: 1.79 GB
Recovery: +3%
Scan: yes
01. Leoninus: Viderunt Omnes
anon.: 2 French Dances
02. No. 1, Ductia
03. No. 2, Estampie
04. Dufay: Hostis Herodes
05. Dufay: Vergine bella
06. Dufay: Ave regina celorum
07. anon.: There is no rose
08. anon.: Saltarello
09. anon.: Riu, riu
10. anon.: Dadme albriçias
11. Rivaflecha: Salve Regina
12. Attaingnant: Pavane
13. Attaingnant: Galliarde
14. Attaingnant: Tourdion
15. Attaingnant: Basse dance
16. anon.: Te Deum
17. Smert: Nowell, Nowell
anon.: The Play of Daniel “Ludus Danielis”
18. Prelude: Incipit
19. Ad honorem tui, Christe
20. Prelude: Astra tenenti
21. The Court of Belshazzar: Rex, in aeternum vive! – Vos qui paretis
22. The Vessels Defiled: Jubilemus Regi nostro – Ecce sunt ante faciem
23. The Writing On The Wall: Vocate mathematicos – Rex in aeternum – Qui scripturam – Nescimus per solvere
24. The Queen’s Advice: Cum doctorum
25. The Queen’s Advice: Rex, in aeternum vive! – Cum Judaeae captivis
26. Daniel Discovered: Vos Danielem quaerite – Vir propheta – Multum miror
27. Daniel Discovered: Hic verus Dei – Pauper et exulans – Rex, in eternum vive!
28. The Interpretation: Tune Daniel
29. The Interpretation: Rex, tua nolo munera
30. Daniel Adorned: Qui sic solvit – Tolle vasa
31. Daniel Adorned: Solvitur in libro Salomonis
32. The Vessels Restored: Regis vasa referentes
33. The Court of Darius: Ecce rex Darius – Rex, in aeternum vive
34. The Court of Darius: Audite, principes
35. The Delegation to Daniel: Ex regali venit imperio
36. The Delegation to Daniel: Congaudentes celebremus – Rex, in aeternum vive
37. The Delegation to Daniel: Quia novi te
38. The Decree: Rex, in aeternum vive! – Decreverunt in tua curia
39. The Decree: Ego mando et remando – Num quid, Dari – Si sprevit legem
40. The Decree: Heu! Heu! Heu! – Deus quem colis
41. The Lions’ Den: Hujus rei non sum reus
42. The Lions’ Den: Abacuc – Novit Dei – Surge, frater – Recordatus es mei
43. The Lions’ Den: Tene, putas – Rex – Danielem educite
44. The Lions’ Den: Merito haec patimur – Deum Danielis
45. The Prophecy: Ecce venit sanctus ille
46. The Prophecy: Nuntium vobis
47. The Prophecy: Te deum laudamus
48. Tallis: In ieiunio et fletu
Tallis: Lamentations of Jeremiah I
49. I. Incipit lamentatio Ieremiae
50. II. Aleph
51. III. Beth
Tallis: Lamentations of Jeremiah II
52. I. De lamentatione Ieremiae prophetae
53. II. Gimel
54. III. Daleth
55. IV. Heth
Tallis: Mass for four voices
56. I. Gloria
57. II. Credo
58. III. Sanctus
59. IV. Agnus Dei
60. Morley: About the May pole
61. Morley: Phillis, I Fain Would Die Now
Dowland: Second Book of Songes
62. No. 2, Flow My Teares
Byrd: 1st Pavane and Galliard in A Minor
63. No. 1, Pavane
64. No. 2, Galliard
65. Hume: Tobacco, tobacco
Gibbons: London Street Cries
66. No. 1, God Give You Good Morrow
67. No. 2, A Good Saussage
68. Byrd: The sweet and merry month of May
Dowland: Second Book of Songes
69. No. 19, Shall I sue
Coprario: 3 Dances For A Masque
70. No. 1, Gray’s Inn, The Second
71. No. 2, Cuperaree or Gray’s Inn, The First
72. No. 3, The Second Witches’ Dance (Attrib. Robert Johnson)
73. Jones: Dreames and Imaginations
47. Farmer: Fair Phyllis I saw Sitting All Alone
75. anon.: Woodycock
76. Campion: Break Now My Heart and Dye
77. anon.: La Bounette
78. anon.: La doune cella
79. anon.: La Shy Myze
Dowland: A Musicall Banquet
80. No. 9, Lady, If You So Spite Mee
81. Morley: Clorinda False
82. Morley: My Bonny Lass Shee Smyleth
Handel: Messiah, HWV 56, Pt. 1
83. But Who May Abide the Day Of His Coming
Handel: Messiah, HWV 56, Pt. 2
84. How Beautiful Are the Feet
Handel: Israel in Egypt, HWV 54, Pt. 1: Exodus
85. No. 5, Air. Their Land Brought Forth Frogs
Handel: Israel in Egypt, HWV 54, Pt. 2: Moses’ Song
86. No. 26, Air. Thou Shalt Bring Them
Handel: Muzio Scevola, HWV 13, Act III
87. Ah dolce nome!
Handel: Rodelinda, HWV 19, Act III
88. Vivi, tiranno, io t’ho scampato
Handel: Rodelinda, HWV 19, Act I
89. Pompe vane di morte! – Dove sei, amato bene?
Handel: Radamisto, HWV 12, Act II
90. Ombra cara
91. Josquin: Vive le Roy “Fanfare for Louis XII”
92. trad.: Heth sold ein meisken
93. Josquin: Fama malum
94. Josquin: Dulces exuviae
95. Josquin: La Bernardina
96. anon.: Si j’ai perdu mon ami
97. Josquin: Tu solus qui facis mirabilia
Josquin: Missa Pange Lingua
98. I. Kyrie: a. Kyrie eleison I
99. I. Kyrie: b. Christe eleison
100. I. Kyrie: c. Kyrie eleison II
101. II. Gloria: a. Et in terra pax
102. II. Gloria: b. Qui tollis
103. III. Credo: a. Patrem omnipotentem
104. III. Credo: b. Et incarnatus est
105. III. Credo: c. Crucifixus
106. III. Credo: d. Et in Spiritum Sanctum
107. IV. Sanctus: a. Sanctus
108. IV. Sanctus: b. Pleni sunt coeli
119. IV. Sanctus: c. Osanna I
110. IV. Sanctus: d. Benedictus
111. IV. Sanctus: e. Osanna II
112. V. Agnus Dei: a. Angus Dei I
113. V. Agnus Dei: b. Agnus Dei II
114. V. Agnus Dei: c. Agnus Dei III
Telemann: Gott will Mensch und sterblich werden, TWV 1:694
115. I. Gott will Mensch und sterblich werden
116. II. Nein, wenn ich gleich der Morgenröte Flügel nähme
117. III. Immanuel ist da!
Handel: Siete rose rugiadose, HWV 162
118. I. Siete rose rugiadose
119. II. Dolce bocca soave
120. III. Per involarmi al duolo
Telemann: Deine Toten werden leben, TVWV 1: 213
121. I. Deine Toten werden leben
122. II. So scheut das Sterben weiter nicht
123. III. Ihr Sterblichen! Was scheut ihr Tod und Erde?
Buxtehude: Jubilate Domino, BuxWV 64
124. I. Sonata
125. II. Jubilate Domino omnis terra
126. III. Psallite Domino cithara
127. IV. In buccinis et voce tubae
anon.: The St. Godric Songs
128. No. 1, Sainte Nicolaes
129. No. 2, Sainte Marie Christes bur
130. No. 3, Sainte Marie Virgine
131. No. 4, Christ and Sainte Marie
132. Jones: Love is a Bable
133. Jones: Ite, caldi sospiri
134. Jones: As I Lay Lately in a Dream
135. Jones: Goe to Bed, Sweete Muze
136. Purcell: The Fairy Queen, Z. 629, Act 4
Hark! Hark the Echoing Air
137. Purcell: I Love and I Must, Z. 382
Purcell: Oedipus: incidental music, Z583
138. Music For a While
Schumann: Fünf Lieder und Gesänge, Op. 127
139. No. 1, Sängers Trost
Schumann: 6 Gedichte & Requiem, Op. 90
140. No. 2, Meine Rose
Schumann: 5 Lieder, Op. 96
141. No. 3, Ihre Stimme
Schumann: Fünf Lieder und Gesänge, Op. 127
142. No. 2, Dein Angesicht
Wolf: Italienisches Liederbuch
143. No. 1, Auch kleine Dinge können uns entzücken
Wolf: Spanisches Liederbuch
144. No. 30, Ach, im Maien war’s
Wolf: Mörike-Lieder
145. No. 23, Auf ein altes Bild
Wolf: Eichendorff-Lieder, IHW 7
146. No. 3, Verschwiegene Liebe
Wolf: Spanisches Liederbuch
147. No. 3, Nun wandre, Maria
Wolf: Mörike-Lieder
148. No. 6, Er ist’s!
149. Fain: Love Is A Many Splendored Thing
150. Rodgers: Jumbo: Little Girl Blue
151. Harburg: More And More
152. Rodgers: You Always Love The Same Girl
Walton: Façade (Version 1951)
153. Fanfare
154. No. 1, Hornpipe
155 .No. 2, En famille
156. No. 3, Mariner Man
157. No. 4, Long steel grass
158. No. 5, Through gilded trellises
159. No. 6, Tango – Pasadoble
160. No. 7, Lullaby for Jumbo
161. No. 8, Black Mrs. Behemoth
162. No. 9, Tarantella
163. No. 10, A Man From A Far Countree
164. No. 11, By the Lake
165. No. 12, Country Dance
166. No. 13, Polka
167. No. 14, Four In The Morning
168. No. 15, Something Lies Beyond The Scene
169. No. 16, Valse
170. No. 17, Jodelling Song
171. No. 18, Scotch Rhapsody
172. No. 19, Popular Song
173. No. 20, Fox Trot “Old Sir Faulk”
174. No. 21, Sir Beelzebub
Russell Oberlin’s “supernally beautiful sound”, his virtuosity, expressiveness and naturalness, set him apart from all countertenors. He effortlessly carried his natural tenor voice over two octaves into the alto range, making his singing sound powerful, masculine, homogeneous and intonationally pure across all registers. Collected together for the first time are his complete recordings made for American Decca with seven of nine albums new to CD and delivered to the digital supply chain for the first time.