Composer: Edward William Elgar
Performer: Cambridge University Chamber Choir
Conductor: Christopher Robinson
Format: FLAC (tracks)
Label: Naxos
Catalogue: 8570541
Release: 2008
Size: 242 MB
Recovery: +3%
Scan: yes
Four Part-songs Op. 53
01. No. 1. There is Sweet Music
02. No. 2. Deep in my Soul
03. No. 3. O Wild West Wind!
04. No. 4. Owls (An Epitaph)
05. As torrents in summer
06. The Prince of Sleep
Two Part-songs Op. 71
07. No. 1. The Shower
08. No. 2. The Fountain
09. My Love Dwelt in a Northern Land Op. 18 No. 3
10. Death on the Hills, Op. 72
Two Part-songs Op. 73
11. No. 1. Love’s Tempest
12. No. 2. Serenade
13. Evening Scene
14. Go, song of mine, Op. 57
Scenes from the Bavarian Highlands, Op. 27
15. No. 1. The Dance
16. No. 2. False Love
17. No. 3. Lullaby
18. No. 4. Aspiration
19. No. 5. On the Alm
20. No. 6. The Marksmen
Even those who think they know Elgar will have to check their shelves twice to make sure they have the works on this disc. While there have been multiple recordings of the English composer’s symphonies and concertos over the years, there have been very few recordings indeed of his part songs. This recording with the Cambridge University Chamber Choir under Christopher Robinson does not entirely have the field to itself, but it does have several very attractive features to distinguish it from the competition.
First and foremost is the quality of the repertoire. Ranging from the Brahmsian “My Love Dwelt in a Northern Land” to the sentimental “As Torrents in Summer,” the haunting “Serenade,” the eerie “Owls (An Epitaph),” and the bitonal “There is Sweet Music,” the music here is among his most immediately ingratiating. The Cambridge University Choir’s rich tone, solid intonation, and smooth ensemble suits this music perfectly, and under Robinson’s steady leadership, it turns in performances of exemplary dedication and fervent enthusiasm. Last but not least is the diversity of the program. While few of these pieces are standard-repertoire items for chorus, the six Scenes from the Bavarian Highlands exist in only one other recording for choir and piano (William Ferris leading the William Ferris Chorale with pianist John McCabe), and devoted as that performance was, this one with pianist Iain Farrington features more spirited singing. Naxos’ sound is a bit closer, but no less impressive than Hyperion and Chandos’ recordings of the same repertoire.