Composer: Georg Philipp Telemann
Performer: Mechthild Georg, Andreas Post, Klaus Mertens, Michaelstein Chamber Choir
Orchestra: Michaelstein Telemann Chamber Orchestra
Conductor: Ludger Rémy
Format: FLAC (tracks)
Label: Cpo
Catalogue: 9994192
Release: 2000
Size: 378 MB
Recovery: +3%
Scan: cover
Die Hirten bei der Krippe zu Bethlehem, TWV 1:797, Pt. 1
01. I. O Jesu parvule
02. II. Shepherd’s Song & Accompagnato. Hier schläft es, o wie süss
03. III. Hirten aus den goldnen Zeiten
04. IV. Zwingt die Saiten in Kithara
05. V. Der Löwe wiegt in seinen Klauen
06. VI. Kehre wieder, holder Friedel
Die Hirten bei der Krippe zu Bethlehem, TWV 1:797, Pt. 2
07. VII. Das hat er alles uns getan – Des dank ihm alle Christenheit
08. VIII. Die Pestilenz darf ferner
09. IX. Schönstes Kind aus Juda Samen
10. X. Wir Christenleut
11. XI. Ach sehtl Das Kind erwacht
12. XII. Ehre sei Gott in der Hohe
Siehe, ich verkündige euch große Freude, TWV 1:1334
13. I. Quote. Siehe, ich verkündige euch große Freude
14. II. Was für ein Glanzl
15. III. Quote. Siehe, ich verkündige euch große Freude
16. IV. Ehre sei Gott in der höhe
17. V. Der Heiland ist uns heut’ gebohren
18. VI. Frohlocket, ihr hoffenden gläubigen Frommen
19. VII. Auff wirf den Schleyer weg
20. VIII. Ihr Himmel, Erd’ und Meere
21. IX. Der Friede Gottes wohnt in mir
Der Herr hat offenbaret, TWV 1:262
22. I. Der Herr hat offenbaret
23. II. Lobt Gott, ihr Christen allzugleich
24. III. Schmachte nicht mehr, Kreis der Erden
25. IV. Bedeckte sonst nur Finsterniss das Land
26. V. Er wechselt mit uns wunderlich
27. VI. So jauchzet, o Sünder, ihr sollet nicht sterben
28. VII. Der Herr hat offenbaret seinen heiligen Arm
CPO’s Georg Philipp Telemann: Christmas Oratorio consists of three choral works that come from the last part of Telemann’s voluminous oeuvre. The oratorio Die Hirten an der Krippe zu Bethlehem (“The Shepherds at the Crib of Bethlehem”) dates from 1759 and has a libretto by poet Karl Wilhelm Ramler, who also contributed the text to Telemann’s great masterwork Die Auferstehung und Himmerfahrt Jesu. It is a short oratorio, and CPO has filled out the disc with a pair of Christmas cantatas that post-date it, Siehe, ich verkündige Euch (1761) and Der Herr hat offenbaret (1762). When Telemann composed the last of these cantatas, he was 81 years of age!
Listeners who are familiar with the cantatas of Johann Sebastian Bach will find Telemann’s work in this genre comparatively clear of Bach’s busy counterpoint and a little closer to the vein of Handel, but also not like him. Although Telemann often recycled cantata texts, he seldom saw the need to reuse musical themes as did Bach. Telemann’s seemingly inexhaustible supply of compelling melodic ideas is astounding in the pieces heard here, especially when one considers that at this point he was well past composing his 3,000th work. Although the music makes for pleasant, even somewhat easy, listening apart from the words, once one delves into the cantata texts the listener gets a sense of how well the music fits them. The harmonic coloring of Der Herr hat offenbaret, which is a little darker in tone than the other two, is an aspect of the music that becomes additionally moving as the performance unfolds.
These performances are led, and the editions made, by harpsichordist Ludger Rémy, who has done a lot to revive Telemann works that are unknown. The soloists are very good, particularly bass-baritone Klaus Mertens in the oratorio. For some reason the opening of Die Hirten an der Krippe zu Bethlehem is a little tenuous and tepid, but about 10 minutes in the disc takes off and is of consistent excellence to the end. For those who already know some of Telemann’s sacred music, Georg Philipp Telemann: Christmas Oratorio will prove a delight, and to others seeking an introduction to it this is a good place to start. However, for those who are just seeking a novel bit of Christmas music to vary the Yuletide diet, this is an excellent choice; from the very first notes on the disc it is immediately apparent that this is Christmas music even if one has never heard it, and has no idea who or what it is.