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Rajs: Maciejewski -Transcriptions for 2 Pianos vol.1 (24/96 FLAC)

Rajs: Maciejewski -Transcriptions for 2 Pianos vol.1 (24/96 FLAC)

Rajs: Maciejewski -Transcriptions for 2 Pianos vol.1 (24/96 FLAC)

Composer: Isaac Albéniz, Johann Sebastian Bach, Louis-Nicolas Clérambault, Fritz Kreisler, Roman Maciejewski, Wolfgang Amadeus Mozart, Ignacy Jan Paderewski, Maurice Ravel
Performer: Katarzyna Rajs, Piotr Kępiński
Format: FLAC (tracks)
Label: CD Accord
Release: 2017
Size: 879 MB
Recovery: +3%
Scan: yes

01. Bach: Passacaglia in C Minor, BWV 582 (Arr. R. Maciejewski for Piano Duo)

Mozart: Variations in G major on Gluck’s ‘Unser dummer Pöbel meint’, K455
02. Tema. Allegretto
03. Var. 1
04. Var. 3
05. Var. 4
06. Var. 5
07. Var. 6
08. Var. 7
09. Var. 8
10. Var. 9
11. Var. 10
12. Tempo di tema

Clérambault: Livre d’orgue, Suite du premier ton (Arr. R. Maciejewski for Piano Duo)
13. I. Grand plein jeu. Fort lentement
14. III. Duo. Gayement, et gracieusement

Clérambault: Livre d’orgue, Suite du deuxième ton (Arr. R. Maciejewski for Piano Duo)
15. VI. Récit de Nazard. Gayement, et gracieusement. Doucement et gracieusement

16. Clérambault: Livre d’orgue, Suite du premier ton (Arr. R. Maciejewski for Piano Duo): V. Basse et dessus de trompette. Gayement
17. Clérambault: Livre d’orgue, Suite du premier ton (Arr. R. Maciejewski for Piano Duo): VI. Récits de cromorne et de cornet séparé en dialogue
18. Clérambault: Livre d’orgue, Suite du deuxième ton (Arr. R. Maciejewski for Piano Duo): VII. Caprice sur les grands jeux. Gayement

Paderewski: Humoresques de concert, Op. 14 (Arr. R. Maciejewski for Piano Duo)
19. No. 2, Sarabande
20. No. 1, Menuet célèbre

21. Ravel: Pavane pour une infante défunte, M. 19 (Arr. R. Maciejewski for Piano Duo)

Albéniz: Espagne
22. II. Tango (Arr. R. Maciejewski for Piano Duo)

Kreisler: Drei Walzer (Liebesfreud – Liebesleid – Schön Rosmarin)
23. 3 Old Viennese Dances: No. 1, Liebesfreud (Arr. R. Maciejewski for Piano Duo)

Piano transcriptions of great music works created by Roman Maciejewski, like his many other compositions, they were ‘taken out of the drawer’ by his brother Wojciech only in the late 1980s. It is a varied collection including four-handed or two-piano compositions. These stylistically and formally diversified works are masterpieces of the musical repertoire of all ages. When reaching for this repertoire today one should be aware of the specific character of such works and their performance. On the one hand, it is a form of popular music, but on the other they are individual interpretations of great musical masterpieces.

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