Composer: Franz Peter Schubert
Performer: Quartetto Italiano, Paolo Borciani, Elisa Pegreffi, Piero Farulli, Franco Rossi
Number of Discs: 2
Format: FLAC (tracks)
Label: Philips
Catalogue: 4461632
Release: 1995
Size: 695 MB
Recovery: +3%
Scan: cover
CD 01
String Quartet No. 14 in D Minor, D.810 -“Death and the Maiden”
01. 1. Allegro
02. 2. Andante con moto
03. 3. Scherzo (Allegro molto)
04. 4. Presto
String Quartet No. 13 in A Minor, D.804 – “Rosamunde”
05. 1. Allegro ma non troppo
06. 2. Andante
07. 3. Menuetto (Allegretto)
08. 4. Allegro moderato
CD 02
String Quartet No. 15 in G, D.887
01. 1. Allegro molto moderato
02. 2. Andante un poco mosso
03. 3. Scherzo (Allegro vivace)
04. 4. Allegro assai
05. String Quartet No. 12 In C Minor, D.703 – “Quartettsatz”
The Italians’ playing has freshness, affection, firm control and above all authority to a degree that no relative newcomer can match. It’s notable not only for the highest standards of ensemble, intonation and blend, but also for its imaginative insights; these attributes readily apply to the music-making on this Duo reissue, particularly in the slow movements. Indeed, the players’ progress through the wonderful set of variations in the Andante con moto, which reveals the Death and the Maiden Quartet’s association with the famous Schubert song of that name, has unforgettable intensity.
The comparable Andante of No 13, with its lovely Rosamunde theme – which is approached here in a relaxed, leisurely manner – is held together with a similar (almost imperceptible) sureness of touch. When this work was originally issued, the first-movement exposition repeat was cut in order to get the quartet complete on to a single LP side. Here it has been restored.
Finest of all is the great No 15, a work of epic scale. The first movement alone runs to nearly 23 minutes, and the players’ masterly grip over the many incidents that make up the Allegromolto moderato is effortless. For an encore we’re given No 12, a piece on a smaller scale, but here presented with a comparable hushed intensity of feeling. This, like No 14, was recorded in 1965 and the textures are leaner than on the others, with a fractional edge on fortissimos. Nevertheless, the ear soon adjusts when the playing is as remarkable as this. The other recordings have more body, and a fine presence. The CD transfers throughout are excellent.