Composer: Béla Bartók, Leoš Janáček, Karol Szymanowski
Performer: Piotr Anderszewski
Orchestra:
Conductor:
Format: FLAC (tracks)
Label: Warner
Catalogue: 5419789127
Release: 2024
Size: 993 MB
Recovery: +3%
Scan: yes
Janáček: On an Overgrown Path, Book II
01. No. 1, Andante
02. No. 2, Allegretto
03. No. 3, Vivo
04. No. 4, Piu mosso
05. No. 5, Allegro
Szymanowski: Mazurkas, Op. 50
06. No. 3, Moderato
07. No. 7, Poco Vivace – Tempo oberka
08. No. 8, Moderato non troppo
09. No. 10, Allegramente – Vivace – Con brio
10. No. 5, Moderato
11. No. 4, Allegramente, risoluto
Bartók: 14 Bagatelles, BB 50, Sz. 38
12. No. 1, Molto sostenuto
13. No. 2, Allegro giocoso
14. No. 3, Andante
15. No. 4, Grave
16. No. 5, Vivo
17. No. 6, Lento
18. No. 7, Allegretto molto capriccioso
19. No. 8, Andante sostenuto
20. No. 9, Allegretto grazioso
21. No. 10, Allegro
22. No. 11, Allegretto molto rubato
23. No. 12, Rubato
24. No. 13, Elle est morte. Lento funèbre
25. No. 14, Valse. Ma mie qui danse – Presto
Piotr Anderszewski’s new album juxtaposes solo piano works by three composers who asserted and shaped the musical identity of their Central European countries in the earlier 20th century: Janáček in Moravia, Szymanowski in Poland, and Bartók in Hungary.
“The works on this album are imbued with a sense of rebellion,” says Anderszewski, himself a native of Warsaw. “There is no place here for stylisation or decorum. These works plumb the very roots of music.”
BBC Music Magazine wrote: “For anyone who loves Bach (or the piano) … this life-enhancing disc is required listening”.
The Guardian gave the Bach album a ***** review: “Playing his own selection of pieces from Bach’s monumental work may be heresy, but Anderszewki’s intelligence, lucidity and joy is undeniable.
The influence of folk music is crucial in the programme – the second book of Janáček’s On an overgrown path (a collection named after a traditional Moravian wedding song), six of Szymanowski’s 20 mazurkas, and Bartók’s 14 Bagatelles. Szymanowski’s eclectic spirit is evident in the mazurkas, composed during Poland’s halcyon inter-war period as an autonomous state. Often chromatically adventurous, sometimes elusive, they fuse the traditional mazurka and the influence of Chopin with elements of the Goral music of Poland’s southern highlands. Piotr Anderszewski speaks of the music’s “primitive incantations, simultaneously ecstatic and severe in their beauty”.