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Orquesta Barocca de Sevilla – Arde el Furor (FLAC)

Orquesta Barocca de Sevilla - Arde el Furor (FLAC)
Orquesta Barocca de Sevilla – Arde el Furor (FLAC)

HiRes FLAC

Composer: Juan Francés de Iribarren, Jayme Torrens
Performer: María Espada, José Hernández Pastor
Orchestra: Orquesta Barroca de Sevilla
Conductor: Diego Fasolis
Format: FLAC (tracks)
Label: Passacaille
Catalogue: PAS1031
Release: 2017
Size: 384 MB
Recovery: +3%
Scan: yes

01. Iribarren: Arde el furor intrépido: Allegretto spiritoso

Iribarren: Prosigue acorde lira
02. Ia. Tocata – Adagio
03. Ib. Tocata – Allegro
04. II. Recitado, “Prosigue acorde lira, la dulce suavidad”
III. Area cantabile, “Ya sonoros los acentos”
05. IV. Recitado, “Todo celo se mira victorioso”
06. V. Area spirituoso, “Llevando el poder”

Iribarren: Nebado Albergue
07. I. Recitado, “Nebado Albergue de un Amor bizarro”
08. II. Aria affectuoso, “Mira bien, hombre feliz”

Torrens: Guiados de una estrella reluciente
09. I. Recitado allegro, “Guiados de una estrella reluciente”
10. II. Aria andante, “Qual Sol que luciente se muestra”

Torrens: Soberano Señor
11. I. Recitado, “Soberano Señor de tierra y cielo”
12. II. Andante amoroso, “Si eres el Dueño del alma mía”

Torrens: O! Adalid invencible
13 .I. Recitado, “O! Adalid invencible en los combates”
14. II. Area andante moderato, “Si mi esperanza, si mi consuelo”

Iribarren: Alégrese la tierra
15. I. Entrada assai, “Alegrese la tierra … Prebéngase festiva”
16. II. Recitado, “Nueba lira sonora”
17. III. Area allegro a dúo, “Ay cómo suena el raudal … Ay cómo se oye el rumor”

In the 18th century, musical life in Spain flourished not only at the court in Madrid, but also at the great cathedrals of the country, which were, since Siglo d’oro, no less important centers of music in the sixteenth century. The present recording with the Orquesta Barroca de Sevilla under Diego Fasolis presents some charming works from the repertoire of the Cathedral of Malaga. The today largely unknown composers show that Spain was by no means a musical diaspora around the middle of the 18th century, but, besides Scarlatti, Soler and Boccherini, still offers a whole series of unknown works. Created in 1995 by Barry Sargent and Ventura Rico, The Baroque Orchestra of Seville has been among the very best Spanish Ensembles, particularly in the field of historical interpretation. Since 2001, Pedro Gandia Martin has served as its artistic director. The group has recorded for several record labels, and has received distinctions such as Gramophone’s Editor’s Choice, Exceptional by Scherzo, 5 Stars Goldberg, and more.

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