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O’Donnell: Janáček – Mass in E Flat, Kodály – Missa Brevis, Laudes Organi (FLAC)

O'Donnell: Janáček - Mass in E Flat, Kodály - Missa Brevis, Laudes Organi (FLAC)
O’Donnell: Janáček – Mass in E Flat, Kodály – Missa Brevis, Laudes Organi (FLAC)

Composer: Leoš Janáček, Zoltan Kodály
Performer: Westminster Cathedral Choir
Conductor: James O’Donnell
Format: FLAC (tracks)
Label: Hyperion
Catalogue: CDA67147
Release: 2000
Size: 253 MB
Recovery: +3%
Scan: yes

Kodály: Missa brevis
01. I. Introitus
02. II. Kyrie
03. III. Gloria
04. IV. Credo
05. V. Sanctus
06. VI. Benedictus
07. VII. Agnus Dei
08. VIII. Ite, Missa est

Kodály: Laudes organi
09. I. Introduction
10. II. Audi chorum
11. III. Musice! milites
12. IV. Gravis chorus
13. V. Nunc per voces
14. VI. Tali modulo
15. VII. Huius artis
16. VIII. Fiat Amen

Janáček: Mass in E flat
17. I. Kyrie
18. II. Credo
19. III. Sanctus
20. IV. Agnus Dei

The Janáček Mass is a new completion of the unfinished Mass by Janáček expert Paul Wingfield. Janáček wrote his unfinished Mass in E flat for soloists, mixed chorus and organ probably in 1908. Having completed a Kyrie, an Agnus Dei and some of the Credo, he put it to one side. Twenty years later he returned to it, incorporating most of it into his first draft of the Glagolitic Mass. Subsequent revisions of the Glagolitic Mass removed almost all of the material from the earlier work, the score of which Janáček appears to have destroyed. Fortunately, the incomplete Mass was preserved by a pupil of Janáček’s and was published in 1972. The version recorded here is based on both this edition and the early drafts of the Glagolitic Mass. Paul Wingfield has provided a new completion of the Credo. The Missa Brevis by Kodály was written originally as an Organ Mass and later rearranged as a Missa Brevis for organ and mixed choir. The first performance was in the Budapest Opera House cloakrooms during the siege of Budapest in 1944/45! The Laudes Organi is Kodály’s last completed work and is notable for its imposing organ introduction and interludes. Its triumphant conclusion marks a fitting end to the career of a composer whose contribution to the Hungarian choral tradition remains unrivalled. This recording is the final recording with James O’Donnell as the Master of Music at Westminster Cathedral.

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