Composer: Johann Sebastian Bach
Performer: Odile Edouard, Freddy Eichelberger
Number of Discs: 3
Format: FLAC (tracks)
Label: L’Encelade
Release: 2020
Size: 3.06 GB
Recovery: +3%
Scan: yes
CD 01
01. Fantasia and Fugue, BWV 562
Sonata for Violin and Harpsichord in C Minor, BWV 1017
02. I. Siciliano. Largo
03. II. Allegro
04. III. Adagio
05. IV. Allegro
Das Orgel-Büchlein
06. In dir ist Freude, BWV 615
Sonata for Violin and Continuo in G Major, BWV 1021
07. I. Adagio
08. II. Vivace
09. III. Largo
10. IV. Presto
Das Orgel-Büchlein
11. Ich ruf zu dir Herr Jesu Christ, BWV 639
Sonata No. 5 for Violin and Harpsichord in F minor, BWV 1018
12. I. Largo
13. II. Allegro
14. III. Adagio
15. IV. Vivace
CD 02
Das Orgel-Büchlein
01. Christum wir sollen loben schon, BWV 611
Sonata No. 3 for Violin and Harpsichord in E Major, BWV 1016
02. I. Adagio
03. II. Allegro
04. III. Adagio ma non tanto
05. IV. Allegro
Das Orgel-Büchlein
06. Christ lag in Todesbanden, BWV 625
Sonata for Viola da gamba and Harpsichord in D Major, BWV 1028
07. I. Adagio
08. II. Allegro
09. III. Andante
10. IV. Allegro
11. Allein Gott in der Höh sei Ehr, BWV 662
Sonata No. 2 for Violin and Harpsichord in A major, BWV 1015
12. I. Dolce
13. II. Allegro
14. III. Andante un poco
15. IV. Presto
CD 03
01. Liebster Jesu, wir sind hier, BWV 731
Sonata No. 6 for Violin and Harpsichord in G major, BWV 1019
02. I. Allegro
03. II. Largo
04. III. Cantabile, ma un poco adagio
05. IV. Adagio
06. V. Repetate ab initio presto
Sonata for Violin and Continuo in E Minor, BWV 1023
07. I. Prélude et adagio
08. II. Allemande
09. III. Gigue
The Well-Tempered Clavier (Book 1)
10. Prelude and Fugue in B Minor, BWV 869
Sonata No. 1 for Violin and Harpsichord in B minor, BWV 1014
11. I. Adagio
12. II. Allegro
13. III. Andante
14. IV. Allegro
Johann Sebastian Bach (1685-1750) composed the six sonatas for keyboard and violin while he was in the service of Prince Leopold of Koethen (1717-1723), a period during which he focussed on composing secular instrumental music. These works were not written as sonatas for a melodic instrument and a basso continuo part performed on the keyboard, as was usually the case at that time – on the contrary, Bach composed these six sonatas as works for three voices, so they are true trio sonatas. One voice is allocated to the violin and two to the two hands on the keyboard, thus giving greater contrapuntal depth to the way that they are composed.
This fresh take on these sonatas for keyboard and violin comes with an invitation to embark upon an organ-driven journey. The six sonatas have been broken down into three duos, each of which has been recorded using a different organ and violin combination, whilst at the same time remaining stylistically consistent with the types of instrument with which was Bach was familiar and which he himself played. The three organs are all in the East German style and the violin-makers who inspired the instruments used for the recordings were contemporaries of Bach.
The programme also offers a seventh sonata for keyboard and violin (BWV 1028) which is far better known in its version for the viola de gamba. It also includes two less well-known violin and basso continuo sonatas by Bach, inspired by the Italian style, which allows the listener to get a better grasp of the difference between the two compositional models. Freddy Eichelberger has also chosen to introduce the works for keyboard and violin with solo organ pieces which act rather like preludes, thus highlighting the sonority of each of the instruments.
In this boxset, which celebrates a thirty-year musical bond between Odile Edouard and Freddy Eichelberger, it is used a different organ and violin pairing, so three sites were selected, mainly because they had the right kinds of organ for the project and were easily accessible. These were the church of Saint-Louis de Saint Étienne (Haute-Loire), the Temple de Boudry (Switzerland) and the Temple du Foyer de l’Âme (Paris).