Performer: Lucie Horsch, Rachel Podger, Albert Bruggen, Tom Foster, Esther Van Der Eijk
Orchestra: Orchestra of the 18th Century
Format: FLAC (tracks)
Label: Decca
Catalogue: 4870642
Release: 2024
Size: 1.15 GB
Recovery: +3%
Scan: cover
Haydn: Piano Trio in G Major, Hob. XV:25 “Gypsy Rondo”
01. III. Rondo all’Ongarese. Presto (Arr. Farrington for Recorder, Violin, Cello & Harpsichord)
Corelli: Concerto grosso No. 8 in G Minor, Op. 6 / 8 “Christmas Concerto”
02. V. Allegro (Performed on Recorder)
Marcello: Oboe Concerto in D Minor, S. Z799
03. II. Adagio (Performed on Recorder)
Bach: Keyboard Concerto No. 2 in E Major, BWV 1053 (Arr. Brüggen / Horsch for Recorder & Orchestra)
04. I. [Allegro]
05. II. Siciliano
06. III. Allegro
Bach: Orchestral Suite No. 3 in D Major, BWV 1068
07. II. Air (Performed on Recorder)
Bach: Partita No. 3 for Solo Violin in E Major, BWV 1006
08. VI. Gigue (Arr. Brüggen / Horsch for Recorder)
Telemann: Trio Sonata in A Minor, TWV 42:a4
09. I. Largo
10. IV. Allegro
Telemann: Fantasia No. 3 for Solo Flute in B Minor, TWV 40:4
11. I. Largo – Vivace – Largo – Vivace
12. II. Allegro
Eyck: Der Fluyten Lust-hof, Vol. 2
13. Boffons
Hotteterre: L’art de préluder, Op. 7, Pt. 5
14. Prelude No. 3 in G Minor. Rondement
15. Prelude No. 2 in C Minor. Gay
Boismortier: Sonata for Flute and Violin, Op. 51 No. 2
16. IV. Gigha (Performed on Recorder)
Couperin: Concert royaux, Quatrième concert in E Minor
17. V. Sarabande. Très tendrement
18. VI. Rigaudon. Légèrement, et marqué
19. VII. Forlane en rondeau. Gaiement
Chédeville, N: Il pastor fido, Sonata No. 6 in G Minor (Formerly Attrib. Vivaldi as RV 58)
20. IV. Allegro ma non presto
Walsh: The Bird Fancyer’s Delight
21. Bull Finch in F Major
22. Canary Bird in C Minor
23. Linnet in C Major
Handel: Recorder Sonata in F Major, Op. 1 / 11, HWV 369
24. I. Grave
25. IV. Allegro
Eyck: Der Fluyten Lust-Hof, Vol. 1
26. Derde Daphne
Lucie Horsch celebrates the legacy of Dutch recorder player and conductor Frans Brüggen (1934-2014). A true pioneer of the early music revival, Brüggen amassed a remarkable collection of historic recorders dating from the 1680s-1740s. Those instruments fell silent upon his death 10 years ago. With special access granted by Brüggen’s widow, they have now been revived by one of Brüggen’s compatriots. The instruments are so fragile that at times Lucie was only allowed to play two takes on them – “The end result could almost be regarded as a live recording”.