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Le Compagnia Del Madrigale: Gesualdo – Prima Libro Di Madrigali (24/88 FLAC)

Le Compagnia Del Madrigale: Gesualdo - Prima Libro Di Madrigali (24/88 FLAC)
Le Compagnia Del Madrigale: Gesualdo – Prima Libro Di Madrigali (24/88 FLAC)

HiRes FLAC

Composer: Carlo Gesualdo
Performer: La Compagnia del Madrigale
Format: FLAC (tracks)
Label: Glossa
Catalogue: GCD922811
Release: 2022
Size: 976 MB
Recovery: +3%
Scan: yes

Madrigals, Libro 1
01. No. 1, Baci soavi e cari, W. 1/13
02. No. 2, Madonna, io ben vorrei, W. 1/20
03. No. 3, Come esser può ch’io viva, W. 1/24
04. No. 4, Gehlo ha Madonna il seno, W. 1/28
05. No. 5, Mentre Madonna il lasso fianco posa, W. 1/31
06. No. 6, Se da sì nobil mano, W. 1/37
07. No. 7, Sì gioioso mi fanno i dolor miei, W. 1/42
08. No. 8, O dolce mio martire, W. 1/46
09. No. 9, Tirsi morir volea, W. 1/50
10. No. 10, Mentre, mia stella miri, W. 1/57
11. No. 11, Non mirar, non mirare, W. 1/61
12. No. 12, Questi leggiadri odorosetti fiori, W. 1/64
13. No. 13, Felice primavera, W. 1/68
14. No. 14, Son sì belle le rose, W. 1/73
15. No. 15, Bella Angioletta, W. 1/76

16. Gagliarda del principe di Venosa, W. 10.22

Madrigals, Libro 8
17. No. 19, Come vivi cor mio, W. 10/34
18. No. 18, All’ombra degl’allori, W. 10/32

The only surviving version of Carlo Gesualdos First Book of Madrigals was printed in spring 1594 by the typographer Vincenzo Baldini. At the time, the composer was twenty-eight years old and had just left behind the murder of his wife, in 1590.


In this first publication Gesualdo probably collected pieces composed earlier than 1591.


The music is written by a young author, far away from the better-known experimental composer of later years, yet is clear and faultless, and often very effective.


With this album, the members of La Compagnia del Madrigale complete the project which was initiated more than 20 years ago, by then under the name of La Venexiana: the recording of all six books of madrigals of Gesualdo, Prince of Venosa, for Glossa.


Thanks to their deep knowledge of the music and the poetry of the time, their beautiful voices and precise tuning, and their exquisite mastery in expressing the affetti contained in these pieces, they have definitely set a reference for this demanding repertoire.

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