Composer: Luigi Boccherini
Performer: La ritirata
Format: FLAC (tracks)
Label: Glossa
Release: 2017
Size: 2.1 GB
Recovery: +3%
Scan: yes
String Trio in C Major, Op. 34 No. 5, G. 105
01. I. Largo
02. II. Allegro vivo
03. III. Andante lento con variazioni
String Trio in G Major, Op. 34 No. 2, G. 102
04. I. Allegretto comodo assai
05. II. Minuetto – Trio
06. III. Adagio
07. IV. Rondeau. Allegro ma non presto
String Trio in D Major, Op. 34 No. 4, G. 104
08. I. Allegretto moderato assai
09. II. Grave – Allegro – Grave
10. III. Tempo di minuetto
String Trio in E-Flat Major, Op. 34 No. 3, G. 103
11. I. Allegro vivo ma non presto
12. II. Largo non tanto
13. III. Minuetto – Trio
14. IV. Rondeau. Allegretto comodo
Trio Sonata in F Major, Op. 34 No. 1, G. 101
15. I. Andante lento
16. II. Allegro con brio
17. III. Minuetto – Trio
String Trio in E Major, Op. 34 No. 6, G. 106
18. I. Allegro giusto
19. II. Larghetto
20. III. Minuetto con moto – Trio
21. IV. Rondeau. Andante un poco lento
Recorded: March / May 2011
Recording Venue: Real Conservatorio Superior de Música, Madrid, Spain
Different stages in the life of Luigi Boccherini are clearly mapped out in th emusic he wrote. None more so than the 6 String Trios, Op. 34, written around 1781 – at the time of the Stabat mater – during the nine-year period when teh composer forsook the precariousness of life within the hustle and bustle of Madrid for the tranquility of Arenas de San Pedro, nearer Avila, as he followed his patron, the Infante Luis de Borbon, in the latter’s banishment from the Spanish court, In conditions of comfort for himself and his young family Boccherini prospered on the artistic level as well: some 80 compositions emerged, many for the regular chamber music performances called for by the Enlightened pricne, the maecenas also for painters such as Goya, Flipart and Paret. In a pair of its earlier recordings, newly remastered and now appearing on Glossa, La Ritirata demonstrates complete sympathy with the Classical-era intentions of a composer in full maturity: no surprise when the three players are of the calibre of violinists Hiro Kurosaki and Lina Tur Bonet and cellist Josetxu Obregon. In this string trio configuration, Boccherini demanded great technical skill from the musicians, notably from the cello part and requiring it to take on much of the role assumed by the viola in a quartet. Pervading all is the composer’s melodic invention, his preference for the galant style and the harmonic boldness which together assured his popularity throughout Europe at the time.