Performer: Khatia Buniatishvili, Gvantsa Buniatishvili
Audio CD
Number of Discs: 1
Format: FLAC (tracks)
Label: Sony
Release: 2020
Size: 1.11 GB
Recovery: +3%
Scan: yes
Ennio Morricone
01. Deborah’s Theme (From “Once upon a Time in America”)
Erik Satie
02. 3 Gymnopédies: No. 1, Lent et douloureux
Frédéric Chopin
03. Prelude, Op. 28, No. 4
György Ligeti
04. Etudes, Book 1: No. 5, Arc-en-ciel
Johann Sebastian Bach
05. Badinerie from Orchestral Suite No. 2 in B Minor, BWV 1067 (Arr. for Four Hands)
06. Air on the G String from Orchestral Suite No. 3 in D Major, BMV 1068
Sergei Rachmaninoff
07. Vocalise, Op. 34, No. 14
Serge Gainsbourg
08. La Javanaise
Heitor Villa-Lobos
09. Valsa Da Dor
François Couperin
10. Les Barricades Mystérieuses
Johann Sebastian Bach, Antonio Vivaldi
11. Sicilienne from Concerto in D Minor, BWV 596
Johannes Brahms
12. 6 Klavierstücke, Op. 118: No. 2, Intermezzo
Arvo Pärt
13. Pari intervallo
Philip Glass
14. I’m Going to Make a Cake (from “The Hours” Soundtrack)
Domenico Scarlatti
15. Sonata in D Minor, K. 32 (4:43)
Franz Liszt
16. Consolations, S. 172: No. 3, Lento placido
John Cage
17. 4’33”
Johann Sebastian Bach, Alessandro Marcello
18. Concerto in D Minor, BWV 974: II. Adagio
Following the success of her previous album ‘Schubert’, the sensational pianist, Khatia Buniatishvili returns with her breathtaking new album ‘Labryrinth’. ‘Labyrinth’ includes diverse and easy listening tracks with an appeal to a broader audience. With favourites ranging from Bach, Vivaldi and Scarlatti, to Chopin, Brahms and Satie to Glass and Gainsbourg.
Khatia is one of the today’s leading classical pianists, having performed at the most prestigious venues and events including New York’s Carnegie Hall, the BBC Proms at London’s iconic Royal Albert Hall and the Salzburg Festival. Gramophone noted of the critically acclaimed pianist’s previous recordings “Buniatishvili produces the most ravishing, velvet-toned pianissimo” (‘Motherland’) and “Right from the concerto’s opening moments, there’s tremendous power to Buniatishvili’s playing, and her massive technique overcomes every hurdle with ease” (Rachmaninov).
“The labyrinth – our fate and creation; our impasse and deliverance; the polyphony of life, sense, reawakened dreams and the neglected present; unexpected and expected turnings of the said or unsaid… The labyrinth of our mind.”