Khatia Buniatishvili - Labyrinth (24/96 FLAC)
Khatia Buniatishvili – Labyrinth (24/96 FLAC)

Performer: Khatia Buniatishvili, Gvantsa Buniatishvili
Audio CD
Number of Discs: 1
Format: FLAC (tracks)
Label: Sony
Release: 2020
Size: 1.11 GB
Recovery: +3%
Scan: yes

Ennio Morricone
01. Deborah’s Theme (From “Once upon a Time in America”)

Erik Satie
02. 3 Gymnopédies: No. 1, Lent et douloureux

Frédéric Chopin
03. Prelude, Op. 28, No. 4

György Ligeti
04. Etudes, Book 1: No. 5, Arc-en-ciel

Johann Sebastian Bach
05. Badinerie from Orchestral Suite No. 2 in B Minor, BWV 1067 (Arr. for Four Hands)
06. Air on the G String from Orchestral Suite No. 3 in D Major, BMV 1068

Sergei Rachmaninoff
07. Vocalise, Op. 34, No. 14

Serge Gainsbourg
08. La Javanaise

Heitor Villa-Lobos
09. Valsa Da Dor

François Couperin
10. Les Barricades Mystérieuses

Johann Sebastian Bach, Antonio Vivaldi
11. Sicilienne from Concerto in D Minor, BWV 596

Johannes Brahms
12. 6 Klavierstücke, Op. 118: No. 2, Intermezzo

Arvo Pärt
13. Pari intervallo

Philip Glass
14. I’m Going to Make a Cake (from “The Hours” Soundtrack)

Domenico Scarlatti
15. Sonata in D Minor, K. 32 (4:43)

Franz Liszt
16. Consolations, S. 172: No. 3, Lento placido

John Cage
17. 4’33”

Johann Sebastian Bach, Alessandro Marcello
18. Concerto in D Minor, BWV 974: II. Adagio

Following the success of her previous album ‘Schubert’, the sensational pianist, Khatia Buniatishvili returns with her breathtaking new album ‘Labryrinth’. ‘Labyrinth’ includes diverse and easy listening tracks with an appeal to a broader audience. With favourites ranging from Bach, Vivaldi and Scarlatti, to Chopin, Brahms and Satie to Glass and Gainsbourg.

Khatia is one of the today’s leading classical pianists, having performed at the most prestigious venues and events including New York’s Carnegie Hall, the BBC Proms at London’s iconic Royal Albert Hall and the Salzburg Festival. Gramophone noted of the critically acclaimed pianist’s previous recordings “Buniatishvili produces the most ravishing, velvet-toned pianissimo” (‘Motherland’) and “Right from the concerto’s opening moments, there’s tremendous power to Buniatishvili’s playing, and her massive technique overcomes every hurdle with ease” (Rachmaninov).

“The labyrinth – our fate and creation; our impasse and deliverance; the polyphony of life, sense, reawakened dreams and the neglected present; unexpected and expected turnings of the said or unsaid… The labyrinth of our mind.”

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