Composer: Carl Philipp Emanuel Bach, Johann Sebastian Bach, Johann Gottlieb Graun, Christoph Schaffrath, Johann Adolph Scheibe, Georg Philipp Telemann
Performer: Johannes Pramsohler, Philippe Grisvard
Number of Discs: 3
Format: FLAC (tracks)
Label: Audax
Catalogue: ADX13783D
Release: 2022
Size: 2.55 GB
Recovery: +3%
Scan: yes
CD 01
JS Bach: Sonata in B Minor, BWV 1014
01. I. Adagio
02. II. Allegro
03. III. Andante
04. IV. (Allegro)
Telemann: Concerto in D Major, TWV 42:D6
05. I. Piacevole
06. II. Allegro
07. III. Largo
08. IV. Vivace
JS Bach: Sonata in A Major, BWV 1015
09. I. [without indication]
10. II. Allegro
11. III. Andante un poco
12. IV. Presto
Scheibe: Sonata No. 1 in D Major
13. I. Adagio
14. II. Allegro
15. III. Andante
16. IV. Poco Presto
Schaffrath: Duetto in A Minor, CSWV F:30
17. I. Allegro
18. II. Largo
19. III. (Allegro)
CD 02
Scheibe: Sonata No. 2 in B Minor
01. I. Adagio
02. II. Allegro
03. III. Affettuoso
04. IV. Vivace
JS Bach: Sonata in E Major, BWV 1016
05. I. Adagio
06. II. Allegro
07. III. Adagio ma non tanto
08. IV. (Allegro)
Graun: Sonata in B-Flat Major, GraunWV Av:XV:46
09. I. Grazioso
10. II. Allegro
11. III. (Allegro)
JS Bach: Sonata in C minor, BWV 1017
12. I. Largo
13. II. Allegro
14. III. Adagio
15. IV. (Allegro)
JS Bach: Sonata in F Major, BWV 1022:
16. I. Largo
17. II. Allegro e presto
18. III. Adagio
19. IV. Presto
CD 03
Scheibe: Sonata No. 3 in A Major
01. I. Adagio
02. II. Allegro ma non tanto
03. III. Largo
04. IV. Presto
JS Bach: Sonata in F Minor, BWV 1018
05. I. [without indication]
06. II. Allegro
07. III. Adagio
08. IV. Vivace
JS Bach: Sonata in G Minor, BWV 1020
09. I. Allegro
10. II. Adagio
11. III. (Allegro)
JS Bach: Sonata in G Major, BWV 1019
12. I. Allegro
13. II. Largo
14. III. Cembalo solo (Allegro)
15. IV. Adagio
16. V. (Allegro)
CPE Bach: Sonata in B Minor, Wq 76
17. I. Allegro moderato
18. II. Poco andante
19. III. Allegro siciliano
Bach’s Sei Sonate a Cembalo certato e Violino solo seem to stand in isolation. In fact, however, they took up numerous suggestions from contemporaries and acted as models for Bach’s sons and pupils. Johannes Pramsohler and Philippe Grisvard expand this ground-breaking cycle with works from Bach’s circle. The result is three profound and virtuosic recitals that offer for the first time an overview of the impact of Bach’s revolutionary sonata model on his immediate successors