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Jeroen Van Veen: Simeon ten Holt – Complete Piano Works (24/44 FLAC)

Jeroen Van Veen: Simeon ten Holt - Complete Piano Works (24/44 FLAC)
Jeroen Van Veen: Simeon ten Holt – Complete Piano Works (24/44 FLAC)

HiRes FLAC

Composer: Simeon Ten Holt
Performer: Jeroen van Veen
Format: FLAC (tracks)
Label: Brilliant Classics
Catalogue: 96915
Release: 2023
Size: 14.7 GB
Recovery: +3%
Scan: yes

01. Kompositie: I.
02. Kompositie: II.
03. Kompositie: III.
04. Kompositie: IV.
05. Sonate: I. Introductie
06. Sonate: II. Sostenuto
07. Sonate: III. Intermezzo
08. Sonate: IV. Finale
09. 20 Bagatellen: I.
10. 20 Bagatellen: II.
11. 20 Bagatellen: III.
12. 20 Bagatellen: IV.
13. 20 Bagatellen: V.
14. 20 Bagatellen: VI.
15. 20 Bagatellen: VII.
16. 20 Bagatellen: VIII.
17. 20 Bagatellen: IX.
18. 20 Bagatellen: X.
19. 20 Bagatellen: XI.
20. 20 Bagatellen: XII.
21. 20 Bagatellen: XIII.
22. 20 Bagatellen: XIV.
23. 20 Bagatellen: XV.
24. 20 Bagatellen: XVI.
25. 20 Bagatellen: XVII.
26. 20 Bagatellen: XVIII.
27. 20 Bagatellen: XIX.
28. 20 Bagatellen: XX.
29. 12 Korte Stukken: I.
30. 12 Korte Stukken: II.
31. 12 Korte Stukken: III.
32. 12 Korte Stukken: IV.
33. 12 Korte Stukken: V.
34. 12 Korte Stukken: VI.
35. 12 Korte Stukken: VII.
36. 12 Korte Stukken: VIII.
37. 12 Korte Stukken: IX.
38. 12 Korte Stukken: X.
39. 12 Korte Stukken: XI.
40. 12 Korte Stukken: XII.
41. Allegro ex Machina
42. Diagonaal Suite: I.
43. Diagonaal Suite: II.
44. Diagonaal Suite: III.
45. Diagonaal Suite: IV.
46. Diagonaal Suite: V.
47. Diagonaal Suite: VI.
48. Diagonaal Suite: VII.
49. Muziek voor Pieter: I.
50. Muziek voor Pieter: II.
51. Muziek voor Pieter: III.
52. Muziek voor Pieter: IV.
53. Muziek voor Pieter: V.
54. Muziek voor Pieter: VI.
55. Muziek voor Pieter: VII.
56. Sonate Diagonaal: I. Agitato
57. Sonate Diagonaal: II. Allegretto Scorrendo
58. Sonate Diagonaal: III. Adagio Lamentoso
59. Sonate Diagonaal: IV. Allegro Vivace
60. Soloduivelsdans I
61. Epigrammen: I.
62. Epigrammen: II.
63. Epigrammen: III.
64. Epigrammen: IV.
65. Epigrammen: V.
66. Epigrammen: VI.
67. Epigrammen: VII.
68. Epigrammen: VIII.
69. Epigrammen: IX.
70. Epigrammen: X.
71. Epigrammen: XI.
72. Epigrammen: XII.
73. Epigrammen: XIII.
74. Epigrammen: XIV.
75. Epigrammen: XV.
76. Epigrammen: XVI.
77. Epigrammen: XVII.
78. Epigrammen: XVIII.
79. Epigrammen: XIX.
80. Epigrammen: XX.
81. 5 Etudes: I. Tertsen
82. 5 Etudes: II. Oktaven
83. 5 Etudes: III. Secunden
84. 5 Etudes: IV. Allegro Leggiero
85. 5 Etudes: V. Molto Lento
86. Cylus aan de Waanzin: Part I
87. Cylus aan de Waanzin: Part II
88. Cylus aan de Waanzin: Part III
89. Sekwensen: I.
90. Sekwensen: II.
91. Sekwensen: III.
92. Sekwensen: IV.
93. Sekwensen: V.
94. Sekwensen: VI.
95. Interpolations
96. Aforisme II
97. Canto Ostinato: Section 1
98. Canto Ostinato: Section 17
99. Canto Ostinato: Section 22
100. Canto Ostinato: Section 40
101. Canto Ostinato: Section 59
102. Canto Ostinato: Section 74, Cumulation
103. Canto Ostinato: Section 105
104. Canto Ostinato Part I: Section 1
105. Canto Ostinato Part I: Section 5
106. Canto Ostinato Part I: Section 10
107. Canto Ostinato Part I: Section 14
108. Canto Ostinato Part I: Section 20
109. Canto Ostinato Part I: Section 25
110. Canto Ostinato Part I: Section 35
111. Canto Ostinato Part I: Section 41
112. Canto Ostinato Part I: Section 56
113. Canto Ostinato Part I: Section 60
114. Canto Ostinato Part I: Section 69
115. Canto Ostinato Part I: Section 74, Theme I
116. Canto Ostinato Part I: Section 78
117. Canto Ostinato Part I: Section 83
118. Canto Ostinato Part II: Section 88 A
119. Canto Ostinato Part II: Section 88 B
120. Canto Ostinato Part II: Section 88 E
121. Canto Ostinato Part II: Section 88 F
122. Canto Ostinato Part II: Section 89
123. Canto Ostinato Part II: Section 91 A
124. Canto Ostinato Part II: Section 91 C
125. Canto Ostinato Part II: Section 91 E
126. Canto Ostinato Part II: Section 92
127. Canto Ostinato Part II: Section 95, Theme II
128. Canto Ostinato Part II: Section 97
129. Canto Ostinato Part II: Section 105
130. Canto Ostinato Part II: Section 106
131. Natalon in E Major: I. Sostenuto
132. Natalon in E Major: II. Andante moderato, Giusto
133. Natalon in E Major: III. Adagio
134. Natalon in E Major: IV. Lento Sostenuto
135. Natalon in E Major: V. Molto allegro Giusto
136. Lemniscaat Part I: I. Refrain
137. Lemniscaat Part I: II. Episode I
138. Lemniscaat Part I: III. Episode II
139. Lemniscaat Part I: IV. Episode III
140. Lemniscaat Part I: V. Episode Iva
141. Lemniscaat Part I: VI. Episode VIb
142. Lemniscaat Part I: VII. Episode V
143. Lemniscaat Part I: VIII. Episode Via
144. Lemniscaat Part I: IX. Episode VIb
145. Lemniscaat Part I: X. Episode Vic
146. Lemniscaat Part I: XI. Episode VIIa
147. Lemniscaat Part I: XII. Episode VIIb
148. Lemniscaat Part I: XIII. Episode VIII
149. Lemniscaat Part II: I. Refrain
150. Lemniscaat Part II: II. Introduction Episode IX
151. Lemniscaat Part II: III. Episode IX
152. Lemniscaat Part II: IV. Episode X
153. Lemniscaat Part II: V. Episode XI
154. Lemniscaat Part II: VI. Episode XII
155. Lemniscaat Part II: VII. Episode XIII
156. Lemniscaat Part II: VIII. Episode XIVa
157. Lemniscaat Part II: IX. Episode XIVc
158. Lemniscaat Part II: X. Episode XV
159. Lemniscaat Part II: XI. Episode XVIa
160. Lemniscaat Part II: XII. Episode XVIb
161. Lemniscaat Part II: XIII. Episode XVIc
162. Lemniscaat Part II: XIV. Refrain
163. Horizon Part I: Section 1
164. Horizon Part I: Section 11
165. Horizon Part I: Section 19
166. Horizon Part I: Section 26
167. Horizon Part I: Section 38
168. Horizon Part I: Section 51
169. Horizon Part I: Section 71, Cumulation
170. Horizon Part I: Section 78, Cumulation
171. Horizon Part I: Section 85, Cumulation
172. Horizon Part I: Section 91
173. Horizon Part II: Section 98
174. Horizon Part II: Section 106
175. Horizon Part II: Section 111
176. Horizon Part II: Section 121
177. Horizon Part II: Section 137
178. Horizon Part II: Section 146
179. Horizon Part II: Section 151
180. Horizon Part II: Section 155
181. Horizon Part II: Section 162
182. Soloduivelsdans II: Section 01
183. Soloduivelsdans II: Section 61
184. Soloduivelsdans II: Section 72
185. Soloduivelsdans II: Section 89
186. Soloduivelsdans II: Section 93
187. Incantatie IV Part I: I. Tableau I, Section 1
188. Incantatie IV Part I: II. Section 20
189. Incantatie IV Part I: III. Section 22
190. Incantatie IV Part I: IV. Da Capo
191. Incantatie IV Part I: V. Tableau II, Section 27
192. Incantatie IV Part I: VI. Section 35b
193. Incantatie IV Part I: VII. Tableau III, Section 45
194. Incantatie IV Part I: VIII. Section 54
195. Incantatie IV Part I: IX. Section 60
196. Incantatie IV Part I: X. Tableau IV, Section 69
197. Incantatie IV Part I: XI. Section 76a
198. Incantatie IV Part II: I. Section 78
199. Incantatie IV Part II: II. Cumulation I, Section 121
200. Incantatie IV Part II: III. Cumulation II, Section 140
201. Incantatie IV Part II: IV. Tableau V, Section 148
202. Incantatie IV Part II: V. Cumulation III, Section 154
203. Incantatie IV Part II: VI. Section 165
204. Incantatie IV Part II: VII. Tableau VI, Section 197
205. Incantatie IV Part II: VIII. Tableau VII, Section 204
206. Incantatie IV Part II: IX. Section 210
207. Soloduivelsdans III: Section 01
208. Soloduivelsdans III: Section 01, da Capo
209. Soloduivelsdans III: Section 26
210. Soloduivelsdans III: Section 44
211. Soloduivelsdans III: Section 68
212. Schaduw noch Prooi: I. Section 1
213. Schaduw noch Prooi: II. Section 14a
214. Schaduw noch Prooi: III. Da Capo
215. Schaduw noch Prooi: IV. Section 16a
216. Schaduw noch Prooi: V. Section 19a
217. Schaduw noch Prooi: VI. Section 21a
218. Schaduw noch Prooi: VII. Section 25a
219. Schaduw noch Prooi: VIII. Canzona 28a
220. Schaduw noch Prooi: IX. Section 29
221. Schaduw noch Prooi: X. Section 36
222. Schaduw noch Prooi: XI. Section 52a
223. Schaduw noch Prooi: XII. Section 53
224. Meandres Part I: I. Introduction
225. Meandres Part I: II. Section 1
226. Meandres Part I: III. Section 16
227. Meandres Part I: IV. Section 20
228. Meandres Part I: V. Section 42
229. Meandres Part I: VI. Section 45
230. Meandres Part I: VII. Section 53
231. Meandres Part I: VIII. Section 74
232. Meandres Part II: I. Section 87
233. Meandres Part II: II. Section 101
234. Meandres Part II: III. Section 125
235. Meandres Part II: IV. Section 130
236. Meandres Part II: V. Section 135
237. Meandres Part II: VI. Section 145
238. Meandres Part II: VII. Section 149
239. Meandres Part II: VIII. Section 167
240. Aedem sed Aliter: I. 1. Section 01
241. Aedem sed Aliter: II. Section 73
242. Aedem sed Aliter: III. Section 104
243. Soloduivelsdans IV: I. Section 01
244. Soloduivelsdans IV: II. Section 29

– Simeon Ten Holt (1923-2012), a Dutch composer known for his mesmerizing and unique style, has left an indelible mark on the world of contemporary classical music. Born in 1923 in Bergen, Netherlands, Holt’s musical journey began at an early age, and he later pursued his studies at the Royal Conservatory in The Hague. Throughout his prolific career, Holt created an impressive body of work, but it is his piano compositions that stand out as some of his most iconic and influential pieces. His music is characterized by a minimalist approach, where repetitive patterns and gradual transformations create an immersive and meditative experience for both performers and listeners.

– Holt’s most renowned work, “Canto Ostinato,” exemplifies his distinct compositional style. Composed between 1976 and 1979, it features interlocking motifs that unfold in a seemingly endless progression, captivating audiences with its hypnotic and trance-like quality. The piece can be performed by multiple pianos or other instruments, allowing for a rich and ever-changing sonic landscape.

– Beyond “Canto Ostinato,” Holt’s complete piano works span various compositions and periods, each exploring different facets of his minimalist aesthetic. Pieces like “Lemniscaat” and “Horizon” continue to intrigue and challenge performers and listeners alike with their intricate structures and harmonic richness.

– This set is a landmark of contemporary Minimalist piano music, and a labor of love of Dutch pianist Jeroen van Veen, champion of Minimalism, and ardent admirer and advocate of Ten Holt’s piano music. In certain works he is joined by fellow pianists Sandra van Veen, Fred Oldenburg and Irene Russo.

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