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Golda Schultz – Mozart, You Drive Me Crazy! (24/96 FLAC)

Golda Schultz - Mozart, You Drive Me Crazy! (24/96 FLAC)
Golda Schultz – Mozart, You Drive Me Crazy! (24/96 FLAC)


Composer: Wolfgang Amadeus Mozart
Performer: Golda Schultz, Amitai Pati, Ashley Dixon Santelli, Milan Siljanov, Simone Easthope, Julie Roset
Orchestra: Kammerakademie Potsdam
Conductor: Antonello Manacorda
Format: FLAC (tracks)
Label: Alpha
Catalogue: ALPHA1026
Release: 2024
Size: 0.98 GB
Recovery: +3%
Scan: yes

Don Giovanni, K.527
01. Act I: Quartetto. “Non ti fidar, o misera, di quel ribaldo cor!”
02. Act I: Recitativo accompagnato. “Don Ottavio, son morta!”
03. Act I: Aria. “Or sai chi l”onore”

Le nozze di Figaro, K.492
04. Act IV: Recitativo. “Giunse alfin il momento”
05. Act IV: Aria. “Deh vieni non tardar”

Così fan tutte, K.588
06. Act I: Recitativo. “Temerari, sortite fuori di questo loco!”
07. Act I: Aria. “Come scoglio immoto resta”
08. Act II, Duetto. “Fra gli amplessi in pochi istanti”

Don Giovanni, K.527
09. Act II: Recitativo accompagnato. “In quali eccessi, o Numi”
10. Act II: Aria. “Mi tradì quest”alma ingrata”

Le nozze di Figaro, K.492
11. Act III, Duettino. “Canzonetta sull aria”

Così fan tutte, K.588
12. Act I: Sextetto. “Alla bella Despinetta”

Le nozze di Figaro, K.492
13. Act III: Recitativo. “E Susanna non vien!”
14. Act III: Aria. “Dove sono i bei momenti”

Così fan tutte, K.588
15. Act II: Recitativo. “Ei parte..senti..ah no!”
16. Act II: Rondo. “Per pietà, ben mio, perdona”

Le nozze di Figaro, K.492
17. Act IV: Finale. Scena ultima. “Gente gente, all”armi, all”armi!”

‘Mozart, You Drive Me Crazy!’ This is the title that the South African soprano Golda Schultz has decided to give to her new album, devoted to the female heroines of Don Giovanni, Cosi fan tutte and Le nozze di Figaro, roles that have marked her career from Berlin to The Metropolitan Opera: ‘Why does Mozart drive me crazy? First of all, because his music, which sounds so easy when you listen to it, is extremely difficult to perform . . . And when I immerse myself in the world of Da Ponte and Mozart, I realise that there’s a deep complexity to their female characters: they endure the toughest trials, but they also display great strength. In fact, these operas explore humanity from the feminine perspective: every single one of these women is constantly evolving. They show how human beings transcend trauma and how grief and pain can be overcome.’ The programme is conducted by another eminent Mozartian, Antonello Manacorda, with the Kammerakademie Potsdam.

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