Composer: Eyvind Alnæs
Performer: Erling R. Eriksen
Format: FLAC (tracks)
Label: Toccata
Catalogue: TOCC0067
Release: 2011
Size: 241 MB
Recovery: +3%
Scan: yes
10 Pianostykker over Norske Folkeviser (10 Piano Pieces over Norwegian Folk Songs), Op. 39
01. No. 1, Herr Gudmund
02. No. 2, Valdrisvisen
03. No. 3, Aasmund Fregdegjaevar
04. No. 4, Dae va eingong ein kung’e
05. No. 5, Nar jenta bare er konfirmera
06. No. 6, Aa Ola, Ola min eigen onge
07. No. 7, Saeterreisen
08. No. 8, Lensmannen hadd ei graaskjimra merr
09. No. 9, Jeg lagde mig saa sildig
10. No. 10, Ho Guro
11. Romance in E Major
12. Variations sur un Theme Original in D Minor, Op. 5
4 Klaverstykker (Piano Pieces), Op. 4
13. No. 1, Faedrelandshymne
14. No. 2, Folkevise
15. No. 3, Albumblad
16. No. 4, Humoreske
3 Morceaux, Op. 32
17. No. 1, Etude
18. No. 2, Jeu d’Enfants
19. No. 3, Caprice
20. Stemning (Mood) in A Major
3 Piano Pieces, Op. 9
21. No. 1, Impromptu
22. No. 2, Studie
23. No. 3, Novellette
The piano music of the Norwegian composer Eyvind Alnæs (1872–1932) shows the influence of Grieg and likewise marries an essentially lyric style with the melodies and rhythms of Norwegian folk-music; the later pieces add an awareness of Debussy and French Impressionism. The works on this CD – none of them recorded before – have an immediate appeal and easy charm, although Alnæs can also indulge in stormy virtuosity.
He studied in Oslo and in Leipzig with Carl Reinecke, teacher of Sinding and Grieg, who were themselves warm supporters of Alnaes.
He began his career as an organist, accompanist and choral conductor in Oslo, first attracting attention as a composer in 1891. But his output remained small due to financial hardship and the demands of his professional commitments; he is best known for his hymn arrangements and art-song.
He was also deeply engaged in Norwegian musical life, including positions as president of the Norwegian Composers’ Union, president of TONO, the organisation which protects the rights of Norwegian composers, and a member of the Norwegian Chorale-book Committee.
His piano music shows the influence of Grieg and likewise marries an essentially lyric style with the melodies and rhythms of Norwegian folk-music; the later pieces add an awareness of Debussy and French impressionism. The works on this CD – none of them recorded before – have an immediate appeal and easy charm, as well as occasional stormy virtuosity.