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Eivind Aadland: Grieg – Complete Symphonic Works vol.5 (24/48 FLAC)

Eivind Aadland: Grieg - Complete Symphonic Works vol.5 (24/48 FLAC)
Eivind Aadland: Grieg – Complete Symphonic Works vol.5 (24/48 FLAC)

HiRes FLAC

Composer: Edvard Hagerup Grieg
Performer: Camilla Tilling, Tom Erik Lie
Orchestra: WDR Sinfonieorchester Köln
Conductor: Eivind Aadland
Format: FLAC (tracks)
Label: Audite
Catalogue: AUDITE92671
Release: 2015
Size: 597 MB
Recovery: +3%
Scan: yes

Peer Gynt, Op. 23
01. At the Wedding. Act I, Prelude
02. Dance of the Mountain King’s Daughter
03. Solveig’s Song
04. Solveig’s Cradle Song

6 Romances, Op. 39
05. I. From Monte Pincio

6 Songs, Op. 25
06. II. A Swan

12 Songs, Op. 33
07. II. Last Spring

5 Songs of Norway, Op. 58
08. III. Henrik Wergeland

Lyric Pieces, Op. 68
09. IV. Evening in the Mountains

Lyric Pieces, Op. 68
10. V. At the Cradle

11. Mountain Thrall, Op. 32

4 Norwegian Dances, Op. 35
12. I. Allegro marcato
13. II. Allegretto tranquillo e grazioso
14. III. Allegro moderato alla marcia
15. IV. Allegro molto

This recording gathers several important examples of the less familiar Edvard Grieg as composer of songs with orchestra. Soprano Camilla Tilling plays a leading part in this fifth and final volume of Audite’s complete recording of Grieg’s orchestral works: although Grieg drew on his own songs with orchestra or piano for the ‘Six Orchestral Songs’, this set forms an independent, elegiacally-hued cycle reflecting the core of Grieg’s personality. It includes not only two songs from the incidental music to ‘Peer Gynt’ (Solveig’s Song and Solveig’s Lullaby) but also transcriptions of solemn piano songs such as the Roman ballad ‘From Monte Pincio’, or the memory of the short-lived Norwegian patriot Henrik Wergeland, to whom the final song (sung by Tom Erik Lie) is dedicated. Cities such as Oslo and Bergen, where Grieg worked as a conductor, did not provide inspiration for his compositions: in order to be able to write, he travelled to the countryside. He particularly loved the wild region of Hardanger in West Norway, where he found the most original folk music and where he spent several summers. Here, he composed not only his ‘Norwegian Dances’, but also the short orchestral ballad ‘Den Bergtekne’ (The Mountain Thrall), in which Grieg portrays himself as a restless poet, at odds with love.

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