Composer: Ludwig van Beethoven, Johannes Brahms
Performer: Dietrich Fischer-Dieskau, Hertha Klust
Format: FLAC (tracks)
Label: Audite
Catalogue: AUDITE95601
Release: 2008
Size: 333 MB
Recovery: +3%
Scan: cover
01. Beethoven: Mailied, Op. 52, No. 4
02. Beethoven: Marmotte, Op. 52, No. 7
03. Beethoven: Ich liebe dich, WoO 123
04. Beethoven: In questa tomba oscura, WoO 133
05. Beethoven: Andenken, WoO 136
06. Beethoven: Neue Liebe, neues Leben, Op. 75, No. 2
07. Beethoven: Aus Goethes Faust, Op. 75, No. 3
08. Beethoven: Wonne der Wehmut, Op. 83, No. 1
09. Beethoven: Sehnucht, Op. 83, No. 2
10. Beethoven: An die Hoffnung, Op. 94
11. Brahms: Heimkehr, Op. 7, No. 6
12. Brahms: Ein Sonett, Op. 14, No. 4
13. Brahms: Wie rafft ich mich, Op. 32, No. 1
14. Brahms: Botschaft, Op. 47, No. 1
15. Brahms: Abenddämmerung, Op. 49, No. 5
16. Brahms: Es träumte mir, Op. 57, No. 3
17. Brahms: Eine gute, gute Nacht, Op. 59, No. 6
18. Brahms: Dein blaues Auge hält, Op. 59, No. 8
19. Brahms: Sommerabend, Op. 85, No. 1
20. Brahms: Mondenschein, Op. 85, No. 2
21. Brahms: Ständchen, Op. 106, No. 1
Hans Mayer wrote “He knew exactly what he wanted to sing and how to go about it. The word ‘magnetism’ – so frequently misappropriated for all types of advertising – fully applied in his case.”
Beginning in the late 1940s “FiDi,” as he was already known in his Berlin years, elevated lied singing to an unparalleled level associated with his mellifluous baritone, superb vocal technique, and the credibility of his interpretations. Fortunately the persuasive powers of his early years are attested to not only by ear witnesses but by many radio recordings.
These two sets of lieder by Johannes Brahms and Ludwig van Beethoven are taken from two recording sessions held at Berlin’s RIAS broadcasting company in 1951/52.
Beethoven’s lieder did not belong to the standard repertoire at the time, and it was Fischer-Dieskau who first popularized them.