Composer: Colin Matthews
Performer: Roderick Williams, Ian Bostridge, Hallé Choir, Hallé Youth Choir
Orchestra: Hallé Orchestra
Conductor: Nicholas Collon, Richard Wilberforce
Format: FLAC (tracks)
Size: 527 MB
01. I. Dim Through Cloud Vails
02. II. In the Ashen Twilight
03. III. In the False Moonlight
04. IV. Oaks, Once My Friends
05. V. Swift Away the Century Flies
06. VI. Time Has Healed the Wound, They Say
07. VII. But No, This Fiction Died
08. VIII. A Brown Charred Trunk That Deadly Cowered
09. IX. Interlude
10. X. There the Puddled Lonely Lane
11. XI. Stones Could Talk Together Then
12. XII. Trees On Hilltops Then Were Palms
13. XIII. Half In Glory, Half In Fear
14. Crossing The Alps
No Man’s Land, Part 1
16. There Are Two Skeletons
17. Before Divine Creation
18. An Old Crow
19. Snug In My Dug-Out
20. I’ll Tell You Something
21. You’re Quite Right, Sir
22. Fritz Is My Friend
23. Someone Takes Up His Mouth Organ
No Man’s Land, Part 2
24. I Know A Village Some Way Away
25. I Was Sharing A Smoke
27. In My Dream Last Night
28. I Went To Sleep In A Bath
29. They Are Drunken
30. So Come And Join the Forces
Hallé marks the centenary of the First World War with a recording of award winning work by Composer Emeritus Colin Matthews.
The main work on the recording, No Man’s Land follows on from Matthews’ very positive collaboration with Christopher Reid on Alphabicycle Order, written for Hallé in 2007, and stages a dialogue between the ghosts of two dead soldiers whose corpses are strung up on the barbed wire of no man’s land.
Matthews describes himself as having being “obsessed” with the First World War for some while (his grandfather died on the Somme) but to having found it to be a difficult subject to treat musically. He had asked Christopher Reid to provide the text for this work, suggesting the concept of a soldier in the midst of war, almost unaware of what he’s found himself in.
In the event Reid’s sequence of poems provided something different: the ghosts of two soldiers hang on barbed wire in no man’s land.
The recording features leading vocal soloists Ian Bostridge and Roderick Williams for whom the work was written.
No Man’s Land won the 2011 British Composer Award in the Vocal category Aftertones was commissioned by the Huddersfield Choral Society to mark the millennium and Matthews specifically chose to set poetry of the First World War because he felt that we cannot celebrate the twenty first century without absorbing the lessons of the twentieth.
Colin Matthews is Composer Emeritus of the Hallé. He studied music at the Universities of Nottingham, and Sussex, where he also taught, and subsequently worked as assistant to Benjamin Britten from 1972 – 6, and with Imogen Holst from 1971 – 84. He collaborated with Deryck Cooke for many years on the performing version of Mahler’s Tenth Symphony. Since the early 1970s his music, ranging from solo piano music through three string quartets and many ensemble and orchestral works, has been played worldwide by leading soloists, orchestras and conductors and has won numerous international awards.