Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
Format: FLAC (tracks)
Label: BIS
Release: 2018
Size: 1.36 GB
Recovery: +3%
Scan: yes
Sonata in E minor, Wq. 59 / 1 (H281)
01. I. Presto
02. II. Adagio
03. III. Andantino
04. Fantasie (Rondo) in G, Wq. 59 / 2 (H268)
Keyboard Sonata in B flat major, Wq. 59 / 3 (H282)
05. I. Allegro un poco
06. II. Largo
07. III. Andantino grazioso
08. Rondo in C minor, Wq. 59 / 4 (H283)
09. Fantasia for keyboard in F major, Wq. 59 / 5 (H279)
10. Fantasia for keyboard in C major, Wq. 59 / 6 (H284)
Variations on Ich schlief, da träumte mir, Wq. 118 / 1, H. 69
11. Theme
12. Var. 18
13. Var. 19
14. Var. 20
15. Var. 21
16. Var. 22
17. Var. 23
18. Var. 24
Arioso con variazioni, Wq. 79 (H535)
19. Arioso sostenuto
20. Var. 1
21. Var. 2
22. Var. 3
23. Var. 4
24. Var. 5
Recorded: July/August 2016
Recording Venue: Keizerszaal, Sint-Truiden, Belgium
As Carl Philipp Emanuel Bach published successive collections of the Kenner und Liebhaber series, he explored new genres and styles. In the second collection he added his idiosyncratic rondos, and in the fourth he included free fantasias. The fifth collection, composed between 1779 and 1784, contains no new genres, but displays more variety in terms of textures and thematic ideas than any of the previous volumes. In fact, Bach’s preoccupation with variation is almost obsessive –it is as if he cannot finish phrases without varying either texture, tonality, rhythmic pulse or dynamics.
To the six Sonatas, Rondos and Fantasias that make up the collection, Miklós Spányi adds two independent works. Bach initially composed 17 variations on the folk-like tune Ichschlief, da träumtemirin 1752 (included in Vol. 19 of this series) but returned to it almost twenty years later, publishing seven new variations. Closing the disc is another set of variations, now on an original theme, an Arioso sostenutoin A major. MiklósSpányibegan his survey of the Kenner und Liebhabercollections on the clavichord but the following discs have featured the tangent piano. And 35 discs into this monumental series, individual volumes are still being warmly greeted, for instance on EarlyMusicReview.comwhere the reviewer of Volume 32 (BIS-2205) professed to be ‘invariably struck not only by the originality of C. P. E. Bach’s keyboard writing, but also the high level of performance consistently maintained by Miklós Spányi.’