Composer: Richard Rodney Bennett, Lennox Berkeley, Peter Maxwell Davies, Alan Rawsthorne, William Turner Walton
Performer: Graham Anthony Devine
Format: FLAC (tracks)
Label: Naxos
Catalogue: 8557040
Release: 2005
Size: 199 MB
Recovery: +3%
Scan: yes
Walton: Five Bagatelles for solo guitar
01. I. Allegro
02. II. Lento
03. III. Alla Cubana
04. IV. (Lento)
05. V. Con Slancio
06. Davies: Farewell to Stromness
07. Rawsthorne: Elegy
Berkeley: Sonatina for Guitar, Op. 52, No. 1
08. I. Allegretto
09. II. Lento
10. III. Rondo – Allegro non troppo
11. Berkeley: Theme and Variations for Guitar, Op. 77
Berkeley: Quatre Pièces pour la guitare, Op. post.
12. I. Moderato ma con brio
13. II. Andante con moto
14. III. Lento (Sarabande)
15. IV. Allegro, energico
Bennett: Five Impromptus
16. I. Recitativo
17. II. Agitato
18. III. Elegiaco
19. IV. Con fuoco
20. V. Arioso
Devine, British-born but trained largely in Brazil, makes a very beautiful sound, especially at the quieter end of the spectrum, and has generally nimble fingers.
Julian Bream urged several British composers to compose for the guitar, to expand both the repertoire and the instrument’s possibilities beyond the styles and conventions of Spanish guitar music. Yet it is odd to note how they turned, almost reflexively, to Spanish music for inspiration, and how many of their pieces retained its most salient features. Despite the modernist touches, the Bagatelles (5) by William Walton are not that far removed from the moods or techniques found in flamenco music or in modern concert works by Spanish composers. The same may be said for the pieces by Lennox Berkeley — the Sonatina, the Theme and Variations, and Pièces (4) — and Richard Rodney Bennett’s Impromptus (5); if played in a blindfold test, it is likely that the average listener would mistake these pieces for Rodrigo or Ponce, so strong are the similarities. Exceptions to this stylistic imitation may be found in the folk-ish Farewell to Stromness by Peter Maxwell Davies, and in the fairly abstract Elegy by Alan Rawsthorne; but these short works do not represent significant departures, and do little to alter the strong Iberian flavor of this CD. Guitarist Graham Anthony Devine plays the works with sensitivity and great technical control, and Naxos offers its usual fine sound quality.