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Zimmermann, Hruša: Martinů – Violin Concertos no.1 & 2, Bartok – Solo Sonata (24/96 FLAC)

Zimmermann, Hrusa: Martinu - Violin Concertos no.1 & 2, Bartok - Solo Sonata (24/96 FLAC)
Zimmermann, Hrusa: Martinu – Violin Concertos no.1 & 2, Bartok – Solo Sonata (24/96 FLAC)

Composer: Bohuslav Martinů, Béla Bartók
Performer: Frank Peter Zimmermann
Orchestra: Bamberger Symphoniker
Conductor: Jakub Hruša
Number of Discs: 1
Format: FLAC (tracks)
Label: Bis
Release: 2020
Size: 1.22 GB
Recovery: +3%
Scan: yes

Bohuslav Martinů:
Concerto for Violin and Orchestra No. 2, H. 293
01. I. Andante – Poco allegro
02. II. Andante moderato
03. III. Poco allegro

Concerto for Violin and Orchestra No. 1, H. 226
04. I. Allegro moderato
05. II. Andante
06. III. Allegretto

Béla Bartók:
Sonata for Solo Violin, BB 124, Sz. 117
07. I. Tempo di ciaccona
08. II. Fuga. Risoluto, non troppo vivo
09. III. Melodia. Adagio
10. IV. Presto

On the present disc, Frank Peter Zimmermann, one of today’s most highly regarded violinists, performs works by two Central European composers that also exemplify various currents in classical music during the period 1920-1950. Although it only received its first performance in 1973, Bohuslav Martinů’s Violin Concerto No. 1 had been composed 40 years earlier in the neo-classical idiom championed by Stravinsky. In contrast, the composer’s Second Violin Concerto (1943) is written in a more lyrical vein, partly to suit the playing style of Mischa Elman, the violinist who commissioned it. In both works Zimmermann is partnered by Bamberger Symphoniker under the orchestra’s chief conductor Jakub Hrůša, one of the leading Martinů conductors of today. The disc closes with a central work in the twentiethcentury literature for solo violin, Béla Bartók’s Sonata for Solo Violin. Composed in 1944, only a year before Bartók’s death, it is a deeply personal statement which fuses the overall layout of Bach’s solo violin sonatas with Hungarian folk tradition with results that are as fascinating to the listener as they are challenging to the performer.

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