Composer: Ralph Vaughan Williams, Thomas Tallis
Performer: Thomas Gould, Thomas Hancox, Mary Bevan, Joy Farrall, Sophie Bevan, William Lockhart, Jess Dandy, Johnny Herford, Choir of Clare College Cambridge
Orchestra: Britten Sinfonia
Conductor: William Vann
Format: FLAC (tracks)
Label: Albion
Catalogue: ALBCD054
Release: 2022
Size: 1.21 GB
Recovery: +3%
Scan: yes
Vaughan Williams: Dances and Folk Song Setting from Pan’s Anniversary
01. Introduction
02. Presentation of the Nymphs
03. Well Done My Pretty Ones
04. Loud Music
05. Room for an Old Trophy of Time
06. Entry of the Boeotians
07. Three Dances
08. How Like You This, Shepherd
09 .Of Pan We Sing
10. Entry of the Masquers
11. Pan Is Our All
12. Pavan
13. If Yet, If Yet
14. The Revels
15. Room, Room, There
16. Entry of the Thebans
17. Shepherd’s Hey
18. Now Let Them Return
19. Great Pan
20. Now Each Return Unto His Charge
21. Final Music
22. Vaughan Williams: Margery Wentworth
23. Vaughan Williams: Peace, Come Away
24. Vaughan Williams: To Sleep! To Sleep!
Tallis: Tunes for Archbishop Parker’s Psalter
25. No. 3, Why Fum’th in Sight
26. Vaughan Williams: Fantasia on a Theme by Thomas Tallis
This album with five world premiere recordings is the most important of several albums released by Albion Records in 2022 to celebrate Ralph Vaughan Williams’s sesquicentenary. At the heart of the programme are four great Hymns to Pan for three female soloists, chorus and orchestra. Time was short, so Vaughan Williams delegated some of the dance arrangements to his friend Gustav Holst. The work was performed just once, on Easter Monday 1905 and was reconstructed for this recording.
There are two spoken parts, played here by Timothy West and Samuel West. The soloists Mary Bevan, Sophie Bevan and Jess Dandy are joined by the Choir of Clare College, Cambridge, and Britten Sinfonia under the baton of William Vann. Thomas Gould, the leader of Britten Sinfonia, plays some dances arranged for solo violin, and violin with side-drum.
Peace, Come Away and To Sleep! To Sleep! are two settings of poems by Tennyson that Vaughan Williams wrote when he was a student. They have been orchestrated and edited by the composer Christopher Gordon. Christopher Gordon also orchestrated Margery Wentworth, a much later setting of poetry by John Skelton dating from about 1934-1935. This little gem, sung here by baritone Johnny Herford, was part of a discarded song cycle The Garland of Laurel.
Finally, Timothy Burke made an arrangement of the Fantasia on a Theme by Thomas Tallis for voices and string octet as an innovative lockdown project. This is the first full recording with the choir (of 39) and octet under one roof. The words set in the Fantasia were taken from the English translation of Psalm 65 from Archbishop Parker’s Psalter, the source for Tallis’s original setting, which is also heard here.