Composer: Johann Sebastian Bach, Dietrich Buxtehude, Georg Philipp Telemann
Performer: Griet De Geyter, Leo Van Doeselaar, Il Gardellino
Format: FLAC (tracks)
Label: Passacaille
Release: 2020
Size: 2.25 GB
Recovery: +3%
Scan: yes
Buxtehude: Trio Sonata in A Minor, BuxWV 254
01. I. Adagio
02. II. Allegro
03. III. Lento
04. IV. Vivace
05. V. Largo
06. VI. Presto – VII. Lento
Buxtehude: Cantata “O dulcis Jesu”, BuxWV 83
07. “O dulcis Jesu” (Soprano)
08. “Nil cupio” (Soprano)
09. “O Jesu mi dulcis” (Soprano)
10. “Non mundi falaces” (Soprano)
11. “Non minas satanae” (Soprano)
12. “O Jesu dulcis” (Soprano)
13. Bach: Fantasia in E Minor super “Jesu, meine Freude”, BWV 713
Telemann: Cantata “Ach Herr, strafe mich nicht”, TWV 7 / 2
14. No. 1, Aria, “Ach Herr, strafe mich nicht in deinem Zorn”
15. No. 2, Aria, “Herr, sei mir gnädig”
16. No. 3, Aria, “Wende dich, Herr”
17. No. 4, Recitative, “Denn im Tode gedenkt man dein nicht”
18. No. 5, Aria, “Ich bin so müde vom Seufzen”
19. No. 6, Aria, “Weichet von mir, ihr Übeltäter”
20. No. 7, Aria, “Es müssen alle meine Feinde zuschanden werden”
21. Bach: Chorale Prelude BWV1105 ‘Jesu, meine Freude’
22. Bach, Lehms: Cantata “Mein Herze schwimmt im Blut”, BWV 199: No. 1, Recitativo, “Mein Herze schwimmt im Blut” (Soprano)
Bach: Cantata “Mein Herze schwimmt im Blut”, BWV 199
23. No. 2, Aria, “Stumme Seufzer, stille Klagen” (Soprano)
24. No. 3, Recitativo, “Doch Gott muss mir genädig sein” (Soprano)
25. No. 4, Aria, “Tief gebückt und voller Reue” (Soprano)
26. Bach, Lehms: Cantata “Mein Herze schwimmt im Blut”, BWV 199: No. 5, Recitativo, “Auf diese Schmerzensreu” (Soprano)
27. Bach, Heermann: Cantata “Mein Herze schwimmt im Blut”, BWV 199: No. 6, Chorale, “Ich, dein betrübtes Kind” (Soprano)
Bach: Cantata “Mein Herze schwimmt im Blut”, BWV 199
28. No. 7, Recitativo, “Ich lege mich in diese Wunden” (Soprano)
29. No. 8, Aria, “Wie freudig ist mein Herz” (Soprano)
The music on this recording was written by three of the great composers of the Baroque era and is undoubtedly of the highest quality. As a universal form of expression, music can overcome the boundaries of time, place and language. It has the unique power to speak to us, despite our distance from the time of its creation. Music can also permeate many a spiritual text, which seems to be far removed from our modern secular world, with emotional power and immediacy. If this happens, as here, with excellent interpreters such as the soprano Griet de Geyter and the ensemble Il gardellino, then this effect is intensified to a unique musical enjoyment.