![Sol Gabetta: Shostakovich - Cello Concerto no.2, Sonata for Cello and Piano (FLAC)](https://boxset.me/wp-content/uploads/2022/12/gabetta-shostakovich-cello-concerto-2-sonata-for-cello-and-piano.jpg)
Composer: Dmitri Shostakovich
Performer: Sol Gabetta, Michaela Urzuladea
Orchestra: Münchner Philharmoniker
Conductor: Marc Albrecht
Format: FLAC (tracks)
Label: RCA
Catalogue: 88697359612
Release: 2008
Size: 276 MB
Recovery: +3%
Scan: yes
Cello Concerto No. 2 in G minor, Op. 126
01. I. Largo
02. II. Allegretto
03. III. Allegretto
Cello Sonata in D minor, Op. 40
04. I. Allegro non troppo
05. II. Allegro
06. III. Largo
07. IV. Allegro
Although written only seven years after the first, Shostakovich’s Second Cello Concerto could not be more different in content and temperament. Unlike the First Concerto, the Second is heard much less frequently in live performance and does not make album programs as often, either. Much less bombastic and overtly virtuosic, the Second Concerto is by far the more introspective and contemplative of the two cello concertos. While it may not bring audiences to their feet as quickly, the G major Concerto still has a great many positive features in the right hands. This RCA album features cellist Sol Gabetta performing with the Munich Philharmonic under Marc Albrecht. Technically, Gabetta’s performance is quite clean; her interpretation, however, is somewhat bland and unimaginative. The biggest problem here is Gabetta’s sound. While her tone is warm and pleasing enough, she just doesn’t have a very big, projecting sound. Compared to the large orchestra force that she’s up against, this means that too often her line is just lost in the shuffle. The orchestra appears to do all it can to get out of Gabetta’s way without playing timidly, but her instrument just doesn’t provide the power necessary to push through. By contrast, her performance of the D minor Sonata, with pianist Mihaela Ursuleasa, is much more musically satisfying as Gabetta appears more willing to take risks. Here, balance is not an issue and listeners can more fully appreciate her playing.