Composer: Marc-Antoine Chaprentier
Performer: La Capella Nacional de Catalunya
Orchestra: Le Concert des Nations
Conductor: Jordi Savall
Format: FLAC (tracks)
Label: Alia Vox
Catalogue: AVSA9961
Release: 2024
Size: 1.28 GB
Recovery: +3%
Scan: yes
01. Premier Noël “Une Jeune Pucelle”
Pastorale sur la naissance de notre seigneur Jésus Christ, H.483
02. I. Ouverture
03. II. Première partie, scène première “Que nos soupirs, Seigneur”
04. III. Première partie, scène seconde “Régnez, calme profond”
05. IV. Première partie, scène 3e “Célestes compagnons”
06. V. Première partie, scène 4e “Gloire dans les hauts lieux”
07. VI. Seconde partie, scène 5e “Pasteurs, éveillez-vous !”
08. VII. Seconde partie, scène 6e “Joignons nos flûtes et nos voix”
In Nativitatem Domini Canticum, H. 416
09. Nuit (interlude Instrumental pour cordes)
10. Deuxième Noël “Or, nous dites Marie”
Messe de Minuit, H. 9
11. I. Kyrie
12. II. Gloria
13. III. Credo
14. IV. Offertoire “Laissez paître vos bêtes”
15. V. Sanctus
16. VI. Agnus Dei
This new recording by Jordi Savall features emblematic works by Marc-Antoine Charpentier. It allows us to hear the orchestra Le Concert des Nations at its best in a repertoire in which Jordi Savall has already distinguished himself many times, both on disc and in concert. A disc that is not only an ideal Christmas gift, but also the cornerstone of any Charpentier discography worthy of the name.
Jordi Savall, one of the most prominent figures in the realm of historically informed performance, has brought to life the enchanting world of Marc-Antoine Charpentier’s baroque compositions. Through his interpretation of “Baroque Christmas at the Time of Louis XIV,” Savall allows modern audiences to experience the spiritual and artistic richness of 17th-century France. This performance not only celebrates the music of Charpentier but also immerses listeners in the cultural and historical context of a Baroque Christmas at the Sun King’s court.
The Historical and Cultural Context
Louis XIV, often referred to as the Sun King, reigned over France from 1643 to 1715. His court at Versailles became the epitome of opulence, influencing art, music, and culture across Europe. During this period, music was an essential component of courtly life, serving both as entertainment and a means of glorifying the monarch. Christmas, as a religious and cultural celebration, held particular significance in this era, blending piety with grandeur. Charpentier’s compositions, infused with both French elegance and Italian dramatic flair, were perfectly suited to this dual purpose.
Charpentier, a composer renowned for his sacred music, worked under the patronage of aristocrats and religious institutions. His “Noëls” (Christmas songs) and “Messes de Minuit” (Midnight Masses) were imbued with a unique combination of popular melodies and sophisticated counterpoint, capturing the joyous and contemplative spirit of the season. These works reflect the intimate and communal nature of Christmas celebrations in 17th-century France while adhering to the grandeur expected at the court of Louis XIV.
Jordi Savall’s Interpretation
Jordi Savall is celebrated for his meticulous approach to historical performance, employing period instruments and extensive research to recreate the authentic sounds of bygone eras. In “Baroque Christmas at the Time of Louis XIV,” Savall masterfully interprets Charpentier’s works, emphasizing their intricate textures and emotional depth. His ensemble, Le Concert des Nations, employs instruments such as viols, recorders, and natural trumpets, which bring out the nuanced timbres characteristic of the Baroque period.
Savall’s rendition of Charpentier’s “Noëls” highlights their dual role as both devotional and celebratory pieces. The interplay between soloists and chorus mirrors the communal aspect of Christmas worship, while the incorporation of folk-like melodies evokes the traditions of the French countryside. Similarly, his interpretation of the “Messe de Minuit pour Noël” showcases Charpentier’s skill in weaving popular carols into the fabric of a liturgical masterpiece.
A Fusion of Spirituality and Splendor
The performance captures the essence of a Baroque Christmas by balancing spirituality with splendor. The ornate harmonies and polyphonic richness of Charpentier’s music are brought to life through Savall’s dynamic conducting and the ensemble’s virtuosity. The music transports listeners to the candlelit chapels of Versailles, where the sacred and the majestic coexisted in perfect harmony.
Moreover, Savall’s ability to convey the emotional range of Charpentier’s compositions—from the jubilant exultation of the “Noëls” to the serene introspection of the “Messe de Minuit” — ensures a deeply moving experience. This juxtaposition reflects the Baroque fascination with contrasts, a theme that resonates throughout the performance.
“Savall: Charpentier – Baroque Christmas at the Time of Louis XIV” is more than a concert; it is a journey into the heart of 17th-century France. Through Jordi Savall’s vision and artistry, Charpentier’s music becomes a living testament to the beauty and complexity of Baroque art. This performance reminds us of the enduring power of music to connect us with history, tradition, and the shared human experience of celebrating the sacred. Whether experienced in a grand cathedral or a modern concert hall, Savall’s interpretation brings the splendor of a Baroque Christmas to life, inviting audiences to revel in its timeless charm.