Composer: Dmitri Shostakovich
Performer: Pavel Haas Quartet
Format: FLAC (tracks)
Label: Supraphon
Release: 2019
Size: 2.42 GB
Recovery: +3%
Scan: cover
String Quartet No. 2 in A major, Op. 68
01. I. Ouverture. Moderato con moto
02. II. Recitative and Romance. Adagio
03. III. Waltz. Allegro
04. IV. Theme with Variations. Adagio – Moderato con moto
String Quartet No. 7 in F-Sharp Minor, Op. 108
05. No. 1, Allegretto
06. No. 2, Lento
07. No. 3, Allegro – Allegretto
String Quartet No. 8 in C-Sharp Minor, Op. 110
08. No. 1, Largo
09. No. 2, Allegro molto
10. No. 3, Allegretto
11. No. 4, Largo
12. No. 5, Largo
Shostakovich – his music is a challenge each and every quartet sooner or later has to face up to. Yet when it comes to the Pavel Haas Quartet, it seems to be in their very DNA. The ensemble’s unbridled, impulsive and, now and then, frenetic energy, sense for extreme contrast, ability to bring to bear gradation from breath-taking subtlety and tenderness to symphonic drama are facets essentially incident to Shostakovich’s music.
Although composed in safety, away from the horrors of World War II, String Quartet No. 2 (1944) reflects the suffering, uncertainty and anxiety of living at the time (the lyrical recitative of the second movement, as performed by Veronika Jarůšková, the first violin). Both dating from 1960, String Quartets Nos. 7 and 8 are truly intimate confessions. While Shostakovich dedicated the former (the shortest piece of the cycle) to the memory of his first wife, he most likely intended the latter as his own epitaph, at the time when be hovered on the thin line between life and death. Attesting to the autobiographical nature of String Quartet No. 8 is the opening DSCH motif, Shostakovich’s musical signature, which reoccurs throughout the piece.