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Nataša Veljkovíc: Dora Pejačević – The Complete Piano Works (FLAC)

Nataša Veljkovíc: Dora Pejačević - The Complete Piano Works (FLAC)
Nataša Veljkovíc: Dora Pejačević – The Complete Piano Works (FLAC)

Composer: Dora Pejačević
Performer: Natasa Veljkovic
Number of Discs: 2
Format: FLAC (tracks)
Label: CPO
Catalogue: 555003-2
Release: 2016
Size: 483 MB
Recovery: +3%
Scan: yes

CD 01
Blumenleben, Op. 19
01. No. 1, Schneeglöckchen
02. No. 2, Veilchen
03. No. 3, Maiglöckchen
04. No. 4, Vergißmeinnicht
05. No. 5, Rose
06. No. 6, Rote Nelken
07. No. 7, Lilien
08. No. 8, Chrysanthemen

09. Piano Sonata in A-Flat Major, Op. 57

6 Fantasiestücke, Op. 17
10. No. 1, Sehnsucht
11. No. 2, Leid
12. No. 3, Frage
13. No. 4, Klage
14. No. 5, Bitte
15. No. 6, Wahn

16. Blütenwirbel, Op. 45

2 Nocturnes, Op. 50
17. No. 1, Sehr ruhig, mit innigem Ausdruck
18. No. 2, Leicht bewegt und verträumt

4 Klavierstücke, Op. 32a
19. No. 2, Libelle
20. No. 3, Papillon
21. No. 4, Abendgedanke

22. Impromptu in B-Flat Major, Op. 32b
23. Valse de concert, Op. 21
24. Erinnerung, Op. 24

CD 02
Walzer-Capricen, Op. 28
01. No. 1, Moderato
02. No. 2, Grazioso
03. No. 3, Im Ländler-Tempo
04. No. 4, Wiegend
05. No. 5, Lento
06. No. 6, Tempo giusto
07. No. 7, Allegretto
08. No. 8, Grazioso, allegremente
09. No. 9, Moderato

10. Berceuse, Op. 20

Piano Sonata in B-Flat Minor, Op. 36
11. I. Con fuoco ma non troppo allegro
12. II. Andante con molta espressione
13. III. Rondo. Allegro risoluto

14. Capriccio, Op. 47

2 Klavierskizzen, Op. 44
15. No. 1, An Dich!
16. No. 2, Vor deinem Bild

2 Intermezzi, Op. 38
17. No. 1, Ruhig und innig
18. No. 2, Langsam und ausdrucksvoll

19. Berceuse, Op. 2
20. Gondellied, Op. 4
21. Chanson sans paroles, Op. 5
22. Papillon, Op. 6
23. Menuett, Op. 7
24. Impromptu, Op. 9a
25. Chanson sans paroles, Op. 10
26. Trauermarsch, Op. 14

On the last volume of our edition of Dora Pejaèeviæ’s complete works, Nataša Veljkoviæ turns to the great Croatian composer’s music for piano. The nuanced richness in her attention to the tonal resources of the instrument, the demanding piano part, often polyphonic and exhibiting all the dimensions of orchestral sound, demonstrate Veljkoviæ’s self-assured and virtuosic mastery of the art of performance and Pejaèeviæ’s perfection in her compositional craft.

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