Composer: Georg Friedrich Haas, Wolfgang Amadeus Mozart
Performer: Genia Kühmeier, Anton Holzapfel, Salzburger Bachchor, Sarah Connolly, Topi Lehtipuu, Alastair Miles
Orchestra: Mozarteum Orchestra Salzburg
Conductor: Ivor Bolton
Format: FLAC (tracks)
Label: Belvedere
Catalogue: BVE08047
Release: 2019
Size: 234 MB
Recovery: +3%
Scan: yes
Mozart: Requiem in D minor, K626
01. I. Introit. Requiem aeternam
02. II. Kyrie eleison
03. IIIa. Sequence. Dies irae
Haas: 7 Klangräume
04. I.
Mozart: Requiem in D minor, K626
05. IIIb. Sequence. Tuba mirum
Haas: 7 Klangräume
06. II.
Mozart: Requiem in D minor, K626
07. IIIc. Sequence. Rex tremendae majestatis
Haas: 7 Klangräume
08. III.
Mozart: Requiem in D minor, K626
09. IIId. Sequence. Recordare, Jesu pie
Haas: 7 Klangräume
10. IV.
Mozart: Requiem in D minor, K626
11. IIIe. Sequence. Confutatis maledictis
12. IIIf. Sequence. Lacrimosa dies illa
Haas: 7 Klangräume
13. V.
Mozart: Requiem in D minor, K626
14. IVa. Offertory. Domine Jesu Christe
Haas: 7 Klangräume
15. VI.
Mozart: Requiem in D minor, K626
16. IVb. Offertory. Hostias et preces
Haas: 7 Klangräume
17. VII.
All of the parts of the Requiem, composed by Mozart himself, exist in a complete four-part vocal score with organ bass – only the first movement is fully orchestrated – and contain virtually all of the key musical aspects: theme, harmony, melody, dynamics and modulation. According to Haas, “Mozart sketched out the main musical voices for the whole piece, producing almost a skeleton to the work” – in other words, fragments of sound. This was the approach used by Haas for his Klangräume (Sound Spaces).