Composer: Johann Sebastian Bach, Ralph Vaughan Williams
Performer: Mark Bebbington, Rebeca Omordia
Format: FLAC (tracks)
Label: Somm
Catalogue: SOMMCD0164
Release: 2017
Size: 520 MB
Recovery: +3%
Scan: yes
Vaughan Williams: The Piano Music of Ralph Vaughan Williams
01. The Lake in the Mountains
02. Introduction & Fugue
Bach: 6 Schübler Chorales, Op. 5
03. Ach bleib’ bei uns, Herr Jesu Christ, BWV 649 (arr. R. Vaughan Williams for piano)
04. Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Arr. M. Jacobson for 2 Pianos)
05. Vaughan Williams: Hymn Tune Prelude on Song 13 by Orlando Gibbons
06. Vaughan Williams: Fantasia on Greensleeves (Arr. for Piano Duet)
Vaughan Williams: A Little Piano Book
07. Valse Lente
08. Nocturne
09. Canon
10. Two-Part Invention in F
11. Two-Part Invention in E-Flat
12. Two-Part Invention in G
Vaughan Williams: Suite of 6 Short Pieces
13. No. 1. Prelude
14. No. 2. Slow dance
15. No. 3. Quick dance
16. No. 4. Slow air
17. No. 5. Rondo
18. No. 6. Pezzo ostinato
After his ‘hop across the Atlantic’ for his all-Gershwin disc (MusicWeb International “Recording of the Month”), Mark Bebbington returns to the English fare for which he is best-known, with the Complete Vaughan Williams Piano Music. This SOMM release contains world premiere recordings, notably the Introduction and Fugue. In this work, and in the Fantasia on a Theme of Thomas Tallis, both written for two-pianos, Bebbington is joined by the gifted young Romanian-Nigerian pianist Rebeca Omordia. The Tallis Fantasia in its original string version is an evergreen English work, repeatedly topping Classic FM’s listener surveys of favourite pieces. Of its two-piano version, Bebbington says: In transcribing the Fantasia for two pianos Vaughan Williams has created a work with leaner textures and clearer polyphony. The premiere recording on this disc is the Introduction and Fugue for two pianos written in 1947, which RVW dedicated to the famous two-piano team Phyllis Sellick and Cyril Smith. Bebbington says: “Vaughan Williams wrote the Introduction and Fugue concurrently with the Sixth Symphony – a work which shocked the musical world with its undisguised brutality and modernism, and this piano work belongs to the same musical aesthetic. The other solo works on the recording include The Suite of Six Short Pieces, better known in its later version for strings (Charterhouse Suite), The Six Little Teaching Pieces are a model of early-stage piano tuition raised to the highest artistic level. And the three miniatures – The Lake In The Mountains, Hymn Tune Prelude and Bach Chorale and Chorale Prelude transcription – inhabit a world of spiritual serenity that, says the pianist, “show how deeply Vaughan Williams had absorbed the counterpoint of JS Bach alongside the ‘new’ music of Ravel and Debussy.”