Composer: Allan Pettersson
Orchestra: Norrköping Symphony Orchestra
Conductor: Christian Lindberg
Format: FLAC (tracks)
Label: BIS
Catalogue: BIS2230
Release: 2017
Size: 973 MB
Recovery: +3%
Scan: yes
Symphony No. 14
01. dotted quarter note = 89 (Presto) [Tempo I]
02. quarter note = 48 (Tempo II) [Fig. 17]
03. half note = 72 (Tempo III) [3 bars after Fig. 27]
04. quarter note = c. 84 (Tempo IV) [2 bars before Fig. 45]
05. half note = 64 (Tempo V) [2 bars after 87]
06. half note = 48 (Tempo VI) [Fig. 115, final quaver]
07. half note = 72 (Tempo III) [4 bars before Fig. 125]
08. half note = 64 (Tempo V) [3 bars after Fig. 126]
09. half note = 48 (Tempo VI) [Fig. 138]
In their series of Allan Pettersson’s symphonies, Christian Lindberg and the NorrköpingSymphony Orchestra have arrived at the Fourteenth Symphony, completed in 1978 and given its first performance in 1981, one year after the death of the composer. As several of its predecessors, No. 14 is in one extended movement and is scored for large forces, including an expanded percussion section. But there are also important traits that set it apart. Pettersson, who had studied twelve-tone composition for René Leibovitz in the early 1950’s, never adopted the technique fully but in the present work the traces are more evident than in his other symphonies: the opening few bars contain all of the notes of the chromatic scale, and throughout the work Pettersson makes extensive use of compositional techniques associated with twelve-tone music.
In several earlier works, Pettersson had alluded to his song cycle ‘Barefoot Songs’, but in the present symphony he quotes himself extensively –the melody of Klokaroch knythänder(Wise Men and Clenched Hands) appears no less than five times in its entirety and becomes crucial to the structure of the symphony. The present disc is the sixth instalment in a series that has received distinctions such as Empfehlung (Klassik-Heute.de), Clef d’or2011(ResMusica.com),Disco exceptional(Scherzo) and Critics’ Choice(Gramophone). Included with the new recording is a bonus DVD containing a film produced by Swedish Television after the death of the composer. In the course of the film, here provided with English subtitles, we meet the composer himself, members of his family, colleagues from his time as an orchestral player and musicians uch as the violinist Ida Haendel.