Composer: Franz Joseph Haydn
Performer: Leon McCawley
Format: FLAC (tracks)
Label: Somm
Catalogue: SOMMCD0624
Release: 2020
Size: 1.05 GB
Recovery: +3%
Scan: yes
Piano Sonata No. 34 in D major, Hob.XVI:33
01. I. Allegro
02. II. Adagio
03. III. Tempo di menuet
Piano Sonata No. 32 in G minor, Hob.XVI:44
04. I. Moderato
05. II. Allegretto
Piano Sonata No. 31 in A flat major, Hob.XVI:46
06. I. Allegro moderato
07. II. Adagio
08. III. Finale. Presto
Piano Sonata No. 38 in F major, Hob.XVI:23
09. I. Moderato
10. II. Adagio
11. III. Finale. Presto
Piano Sonata No. 55 in B flat major, Hob.XVI:41
12. I. Allegro
13. II. Allegro di molto
Piano Sonata No. 56 in D major, Hob.XVI:42
14. I. Andante con espressione
15. II. Vivace assai
SOMM Recordings is pleased to announce the third volume in Leon McCawley’s much-praised series of Franz Joseph Haydn’s Piano Sonatas. Six Sonatas, spanning the years 1767-84, are featured: the earliest No. 31 in A-flat major, the latest No. 56 in D major while Robert Matthew-Walker provides fascinating booklet notes describing the multifarious effects on his music of Haydn’s enthusiasm for equal temperament.
Sonata No. 31 in A-flat major is, he says, a continuation of Bach that seems to bypass Mozart and anticipate early Beethoven: “Astonishingly original music, and not just for its time”. The two-movement Sonata No. 32 in G minor is a unique and intimate work while No. 34 in D major boasts an innovative tonal scheme that disguises its virtuosity with immediately approachable technique.
The F major Sonata No. 38, notes Matthew-Walker, is “full of that wonderful combination of inner life and directly human expression that is the essence of Haydn”. Two later Sonatas – No. 55 in B-flat major and No. 56 in D major – arguably saw romantic sonata form tested to its expressive limits by “Haydn’s original genius” and his “thematic developmental-variation technique even today causing surprise for its profoundly original subtleties”.
Volume I was recognised with a coveted “Diapason d’Or” from Diapason magazine, which enthused: “What a range in his interpretation and how many layers of gradation! McCawley ties these together in a special quality of inflexions which make their point with great intelligibility and sensitivity”. BBC Music Magazine declared Volume II (SOMMCD 0602) “should stand high on any list” of quality recordings of Haydn, adding “the sparkle of McCawley’s touch is instantly apparent”. Gramophone also commended McCawley’s playing, describing it as “light of touch, stylistically assured and brimfull of intelligence and wit”.