Composer: Einojuhani Rautavaara
Performer: Pekka Kuusisto, Paavali Jumppanen
Format: FLAC (tracks)
Label: Ondine
Catalogue: ODE1177-2
Release: 2011
Size: 276 MB
Recovery: +3%
Scan: yes
Lost Landscapes
01. I. Tanglewood
02. II. Ascona
03. III. Rainergasse 11, Vienna
04. IV. West 23rd Street, NY
05. Summer Thoughts
06. April Lines
Notturno e Danza
07. Notturno
08. Danza
09. Varietude
10. Dithyrambos (version for violin and piano)
11. Narbolaisten braa speli
Pelimannit (The Fiddlers), Op. 1
12. I. Narbolaisten Braa Speli
13. Kopsin Jonas
Pelimannit (The Fiddlers), Op. 1
14. II. Kopsin Jonas
15. Jacob Konni
Pelimannit (The Fiddlers), Op. 1
16. III. Jacob Konni
17. Klockar Samuel Dikstrom
Pelimannit (The Fiddlers), Op. 1
18. IV. Klockar Samuel Dikstrom
19. Pirun polska
Pelimannit (The Fiddlers), Op. 1
20. V. Pirun Polska
21. Hypyt
Pelimannit (The Fiddlers), Op. 1
22. VI. Hypyt
This release on Finnish label Ondine offers Einojuhani Rautavaara’s complete works for violin and piano. This isn’t a large group, and even the composer’s chamber works in general are not numerous. Accordingly the collection of music here is something of a miscellany, and the buyer new to Rautavaara will probably find that his genius reveals itself better in larger genres. This said, fans of the composer will find much of interest here. Among the highlights is Rautavaara’s very first published work, Pelimannit (The Fiddlers), a suite for piano from 1952. The work consists of variations, one each, on six traditional Finnish fiddle tunes, and violinist Pekka Kuusisto here had the inspired idea to pair the variations with the fiddle tunes themselves. For listeners may not have the sound of Finnish folk music in their heads, this brings out the imagination of these little pieces, whose luminous tone took them far beyond the world of Bartók in which they were probably based. Lost Landscapes, composed in 2005 for violinist Midori, comes from the other end of Rautavaara’s career; it fits depictions of four of Rautavaara’s temporary homes — Tanglewood in Massachusetts, Ascona (Switzerland), Vienna, and New York City — into his winding, contrapuntal style. In between are a variety of short pieces, several of them written for competition settings; they boil Rautavaara’s spacious style down to the simple dimensions of the violin-and-piano duet. Kuusisto’s playing is a major attraction here; he cultivates a wiry yet attractive tone that seems tailor-made for Rautavaara. Ondine’s engineering is at its usual high level.