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Guillaume Coppola – Musiques du Silence (24/96 FLAC)

Guillaume Coppola - Musiques du Silence (24/96 FLAC)
Guillaume Coppola – Musiques du Silence (24/96 FLAC)

HiRes FLAC

Composer: Frédéric François Chopin, Claude Achille Debussy, Henri Dutilleux, Enrique Granados, Federico Mompou, Maurice Ravel, Erik Alfred Leslie Satie, Alexander Scriabin, Toru Takemitsu
Performer: Guillaume Coppola
Format: FLAC (tracks)
Label: Eloquentia
Catalogue: EL2159
Release: 2021
Size: 777 MB
Recovery: +3%
Scan: yes

Mompou: Música Callada
01. No. 1, Angelico

02. Ravel: Prélude

Mompou: Préludes
03. No. 5

04. Satie: Gymnopédie No. 1

Mompou: Paisajes
05. No. 1, La Fuente y la Campana
06. No. 2, El Lago
07. No. 3, Carros de Galicia

Dutilleux: Trois préludes
08. No. 1, D’ombre et de silence

Scriabin: Cinq préludes, Op. 16
09. No. 4 in E-Flat Minor, Lento

Mompou: Música Callada
10. No. 15, Lento

Chopin: Préludes, Op. 28
11. No. 4 in E Minor, Largo

Takemitsu: Pause ininterrompue
12. No. 3, A Song of Love

Mompou: Música Callada
13. No. 22, Molto lento e tranquilo

Satie: Gnosiennes
14. No. 5, Modéré

Mompou: Impresiones Intimas
15. No. 3 in C-Sharp Major, Secreto

16. Debussy: Clair de Lune (from Suite Bergamasque)

Mompou: Música Callada
17. No. 24, Moderato

Granados: 12 Danzas Españolas in C Minor
18. No. 2, Orientale

Mompou: Préludes
19. No. 7, Palmier d’étoiles

Debussy: Préludes, Livre 2, L. 123
20. No. 12, Feux d’artifices

Scriabin: Préludes, Op. 11
21. No. 15 in D-Flat Major, Lento

Música Callada – The Music of Silence. Is this a provocation? A challenge? Or perhaps a stylistic exercise? For Mompou, none of all that was the case. He was simply reacting against his time, taking refuge from it, and he considered this solo piano cycle to be his most accomplished work. His universe is based on the mystical framework he constructs around one of the verses of the Spiritual Canticle of St John of the Cross: ‘Night stilled at the awakening of dawn, hushed music, echoing solitude…’ ‘With this fascinating world as the starting point,’ explains Guillaume Coppola, ‘I wanted to reflect it in the mirror of more “music of silence”: partly by choosing works by composers whose influence Mompou had personally acknowledged, partly by freely associating other pieces that seem to share this world and to respond to each other.

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