Composer: Antonín Dvořák, Bohuslav Martinů, Dmitri Shostakovich
Performer: Rudolf Firkušný, Zdeněk Otava, Army Recitation Corps, Typografia Male Chorus
Orchestra: Czech Philharmonic Orchestra
Conductor: Rafael Kubelík
Format: FLAC (tracks)
Label: Supraphon
Catalogue: SU40802
Release: 2012
Size: 318 MB
Recovery: +3%
Scan: cover
Dvořák: Symphony No. 8 in G-Sharp Major, Op. 88
01. I. Allegro con brio
02. II. Adagio
03. III. Allegretto grazioso
04. IV. Allegro ma non troppo
Dvořák: Piano Concerto in G-Sharp Minor, Op. 33
05. I. Allegro agitato
06. II. Andante sostenuto
07. III. Finale. Allegro con fuoco
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70
08. I. Allegro
09. II. Moderato
10. III. Presto
11. IV. Largo
12. V. Allegretto
Martinů: Symphony No. 4
13. I. Poco moderato
14. IV. Allegro vivo. Moderato (Trio). Allegro vivo
15. VI. Largo
16. VII. Poco allegro
17. Martinů: Memorial to Lidice, H.296
18. Dobias: Stalingrad
Groundbreaking early recordings made by the legendary Czech conductor Rafael Kubelík.
The name of Rafael Kubelík symbolically opens the Supraphon series of archival recordings featuring the most celebrated Czech conductors. Kubelík’s journey to catharsis, which was represented by the legendary performance of My Country at the first liberated Prague Spring festival in 1990, lasted more than half a century.
He first conducted the Czech Philharmonic Orchestra when he was twenty and at the age of twenty-eight (1942) became its chief conductor. The precious recordings on this double CD were made between 1944 and 1948, prior to Kubelík’s emigration. When it comes to Dvořák’s music, one of the cornerstones of the Czech Philharmonic’s repertoire, unique recordings of Kubelík’s singular interpretation of Symphony No. 8 and the Piano Concerto with a spellbinding performance by the young Rudolf Firkušný have been preserved. Yet Kubelík also boldly presented a contemporary repertoire.
The live recording of Shostakovich’s Symphony No. 9 dating from December 1945 (a mere three months after the work was completed!) is probably the very first recording of the work. The onerous experience of the war is also reflected in Martinů’s Symphony No. 4. The unique recordings of the Memorial to Lidice and Dobiáš’s Stalingrad cantata depict the atmosphere of a difficult time. Kubelík’s recordings from the 1940s are a testament to a legendary figure who after another 40 years of conducting leading orchestras abroad would in the spring of 1990 make a triumphant return to liberated Prague.