Performer: Fazil Say
Format: FLAC (tracks)
Label: Warner
Catalogue: 5419793607
Release: 2024
Size: 1.12 GB
Recovery: +3%
Scan: yes
01. CPE Bach: 6 Sonaten für Kenner und Liebhaber, Wq. 55: Keyboard Sonata No. 3 in B Minor: III. Cantabile
02. Daquin: Premier livre de pièces de clavecin, Troisième suite: I. Le coucou
03. Scarlatti: Keyboard Sonata in F Minor, Kk. 466
04. Scarlatti: Keyboard Sonata in F Major, Kk. 378
05. Scarlatti: Keyboard Sonata in D Minor, Kk. 1
06. Scarlatti: Keyboard Sonata in C Major, Kk. 159
07. Mozart: Fantasia in D Minor, K. 397
08. Haydn: Keyboard Sonata in C Major, Hob. XVI:35: I. Allegro con brio
09. Haydn: Keyboard Sonata in C Major, Hob. XVI:35: II. Adagio
10. Haydn: Keyboard Sonata in C Major, Hob. XVI:35: III. Finale. Allegro
11. Chopin: 24 Préludes, Op. 28: No. 20 in C Minor
12. CPE Bach: Solfeggietto in C Minor, Wq. 117/2
13. JS Bach: The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C Minor, BWV 847: I. Prelude
14. JS Bac: The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C Minor, BWV 847: II. Fugue
15. Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major “Raindrop”
16. Say: Art of Piano, Op. 66: III. Winter Morning in Istanbul
17. Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto
18. Tchaikovsky: The Seasons, Op. 37a: No. 6, June. Barcarolle
19. Albéniz: Suite Española No. 1, Op. 47: V. Asturias “Leyenda”
Morning – Evening by Fazıl Say presents solo-piano pieces handpicked by the pianist himself to capture the moods of these opposing times of day: from when life awakens in the morning to the closing of the night.
“There have been mostly baroque and early classical works on the radio in the mornings since my childhood. I used to start the day with the beautiful melodies and rhythmic energy of baroque music. Therefore, I particularly wanted to have many music pieces from this period in the Morning Piano collection. … As for the Evening Piano collection, I’ve listened to orchestral music most often in the evenings throughout my life. I usually listen to the works of the Romantic period and late-Romantic period composers, as well as French impressionist composers. Therefore, although all the music I have chosen is for piano, there are works with a highly orchestral structure among these pieces … These are works with a very intense harmony—because harmony provides unity and, at the end of the day, we seek this integrity in the music we listen to. In other words, it takes shape as rhythm and melody in the mornings, and as melody and harmony in the evenings.” – Fazıl Say