Composer: Jan Pieterszoon Sweelinck
Performer: Fabio Antonio Falcone
Format: FLAC (tracks)
Label: Challenge Classics
Catalogue: CC72926
Release: 2023
Size: 1.2 GB
Recovery: +3%
Scan: yes
01. Ballo del Granduca
02. Pavana Philippi, SwWV 329
03. Mein junges Leben hat ein End
04. Onder een linde groen, SwWV 325
05. Ich fuhr mich vber Rheine, SwWV322
06. Pavana hispanica
07. Allemanda: Soll es sein
08. Von der Fortuna werd ich getrieben – Engelse Fortuijn SwWV320 / N2
09. Esce mars
10. Paduana Lachrymae SwWV328
11. Malle Sijmen
12. Almande Gratie, SwWV318 / N7 ‘More Palatino’
The leading Dutch label releases a disc of music by the greatest Dutch master, Jan Pieterszoon Sweelinck. Fabio Antonio Falcone presents the well known sets of variations on secular songs and dances. A specialist in 16th-century keyboard repertoire, Falcone revives these celebrated masterpieces, highlighting the wealth of their contrasting shades in a recording rich in contrasting colours, enhanced by the use of the famous Johannes Ruckers harpsichord (1632/1745) preserved at the Musee d’art et d’histoire in Neuchatel.
Jan Pieterszoon Sweelinck, although considered an isolated phenomenon, transformed Amsterdam into the centre of interest for keyboard music. Today, Sweelinck is considered not only one of the most famous organists, but also one of the leading composers of his time and the last great master of Dutch and Flemish polyphony. His work is not conceivable without Venetian and, most importantly, English models. Even though he was not widely travelled, Sweelinck remained amazingly well informed throughout his life.
Despite his fame and importance, not a single work for keyboard instruments survives in an autograph source, not even in a copy authorised by the composer. His keyboard works have survived in some thirty scattered and not always reliable manuscripts. This body of work is far from complete, and the copies mostly date from after the composer’s death. It is thanks to Sweelinck’s pedagogical activity and his numerous students, that the compositions have survived at all.
Among Sweelinck’s pieces for keyboard instruments, the variations cycles form a significant group. They include variations on chorale melodies, melodies from the Genevan Psalter, Lutheran songs, as well as on secular models. The latter, however, are undoubtedly the most delightful pieces Sweelinck ever composed, for they reveal the composer’s lighter, sometimes humorous side. It seems that Sweelinck composed most of the keyboard works in the last two decades of his life. This is evidenced by a mature style, compositional perfection, and unity.