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Eugene Ormandy: Vivaldi – The Seasons & 4 Double Concertos (FLAC)

Eugene Ormandy: Vivaldi - The Seasons & 4 Double Concertos (FLAC)
Eugene Ormandy: Vivaldi – The Seasons & 4 Double Concertos (FLAC)

Composer: Antonio Vivaldi
Performer: Anshel Brusilow, Isaac Stern, David Oistrakh
Orchestra: Philadelphia Orchestra
Conductor: Eugene Ormandy
Format: FLAC (tracks)
Label: Sony
Catalogue: 88697689612
Release: 2010
Size: 445 MB
Recovery: +3%
Scan: cover

Violin Concerto No. 1 in E Major, RV 269 “Spring”
01. I. Allegro
02. II. Largo
03. III. Allegro

Violin Concerto No. 2 in G Minor, RV 315 “Summer”
04. I. Allegro non molto – Allegro
05. II. Adagio
06. III. Presto

Violin Concerto No. 3 in F Major, RV 293, “Autumn”
07. I. Allegro
08. II. Adagio molto
09. III. Allegro

Violin Concerto No. 4 in F Minor, RV 297 “Winter”
10. I. Allegro non molto
11. II. Largo
12. III. Allegro

Concerto for 2 Violins, Strings and Continuo in C Minor, RV 509
13. I. Allegro ma poco e cantabile
14. II. Andante molto
15. III. Allegro

Concerto for 2 Violins and Strings in D Major, RV 512
16. I. Allegro molto
17. II. Largo
18. III. Allegro

Concerto for Two Violins, Strings and Continuo in D Minor, RV 514
19. I. Allegro non molto
20. II. Adagio
21. III. Allegro molto

Concerto for Two Violins, Strings and Continuo in G Minor, RV 517
22. I. Allegro
23. II. Andante
24. III. [ ]

Part of a Sony reissue series reproducing and combining notable releases from the Columbia Masterworks LP catalog, with original artwork and packaging, this album takes the listener back to a time when Antonio Vivaldi’s music, even the ubiquitous Four Seasons violin concertos, was quite new even for the general run of classical music buyers. The notes spend a lot of time laboriously explaining, without much success, how Vivaldi’s conception of program music differed from that of, say, Richard Strauss. Plainly Vivaldi did not have the string section of the Philadelphia Orchestra in mind when he wrote the music heard here, and there have been several generations of increased understanding of what his music is about since these recordings were made in 1959 and 1960. Nevertheless, the primary impression conveyed here is how clearly true musicianship will show itself. Philadelphia Orchestra conductor Eugene Ormandy had a feel for Vivaldi, perhaps partly because his predecessor, Leopold Stokowski, had directly inculcated into the orchestra a capacity for dealing with his own idiosyncratic visions of the Baroque, but also simply because he was unusually sensitive to the pictorial world of the Four Seasons. His readings are full of attractive small details, and a few of his original ideas, created as he worked interpretively pretty much from scratch, would be worth emulating today. Consider his quick tempo in the opening movement of the “Summer” concerto, letting it take its place in the traditional three-movement concerto structure without losing any of the pictorial vividness. The music here is more successful, in fact, in the Four Seasons, where Philadelphia Orchestra principal violinist Anshel Brusilow let Ormandy call the shots, than in the four attached two-violin concertos, despite the presence of famed soloists Isaac Stern and David Oistrakh. Digital remastering lends a crisp edge to this strong historical reissue.

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