Composer: Ludwig van Beethoven
Performer: Evelin Novak, Klaus Mertens, Vocalconsort Berlin, Sächsischer Kammerchor
Orchestra: Filharmonie Brno
Conductor: Fabian Enders
Format: FLAC (tracks)
Label: Profil Medien
Catalogue: PH22012
Release: 2022
Size: 1 GB
Recovery: +3%
Scan: yes
Die Weihe des Hauses, Op. 124
01. Overture in C Major
Die Ruinen von Athen, Op. 113
02. No. 1, Folge dem mächtigen Ruf der Ehre
03. No. 2, Ohne Verschulden Knechtschaft dulden
04. No. 4, Marcia alla turca
05. Wo sich die Pulse jugendlich jagen, WoO 98
Die Ruinen von Athen, Op. 113
06. No. 5, Musick hinter der Scene
Die Ruinen von Athen, Op. 114
07. No. 6, Marsch und Chor – Schmückt die Altäre
Die Ruinen von Athen, Op. 113
08. No. 6a, Mit reger Freude, die nie erkaltet
09. No. 7a, Wir tragen empfängliche Herzen im Busen
10. No. 7b, Will unser Genius noch einen Wunsch gewähren
11. No. 8, Heil unserm Kaiser
12. Applause
Carl Meisl’s play The Consecration of the House, to the music of Ludwig van Beethoven, was performed in Vienna on October 3, 1822 on the occasion of the reopening of the Theater in der Josefstadt. Its theme is the reawakening of art after times of crisis.
Beethoven’s music to August von Kotzebue’s text The Ruins of Athens (1812) served as the basis for the work, and was adapted to Meisl’s text as well as expanded to include new music by the composer. Beethoven seems to have started composing for the upcoming performance only in September 1822, writing new music for those of Meisl’s texts for which nothing suitable could be found in The Ruins of Athens. The dance with chorus “Wo sich die Pulse jugendlich jagen” is listed separately as WoO (work without opus number) 98, as is the March, Op. 114, which was reworked for the play. The overture achieved a high degree of popularity. Its prominent position as a separate opus (124) between the Missa solemnis and the Ninth Symphony reveals that Beethoven likely approved its use as a concert overture.