Performer: Emily White, Sam Haywood
Format: FLAC (tracks)
Label: Deux-Elles
Catalogue: DXL1201
Release: 2024
Size: 630 MB
Recovery: +3%
Scan: cover
01. Csanyi-Wills: The Last Letter (Arr. for Trombone and Piano by Emily White)
02. Mozart: Mass in C Minor, K.427 / 417a: X. Et incarnatus est (Arr. for Trombone and Piano by Emily White)
03. Schumann C: Three Romances for Violin and Piano, Op. 22: I. Andante molto (Arr. for Trombone and Piano by Emily White)
04. Parry: No Longer Mourn for Me (Arr. for Trombone and Piano by Emily White)
05. Mucha: Tempo di mazurka
06. Hultmark: Spring in an Unreal World (Arr. for Trombone and Piano by Emily White)
07. Warlock: Cradle Song (Arr. for Trombone and Piano by Emily White)
08. Warlock: Jillian of Berry (Arr. for Trombone and Piano by Emily White)
09. Stanford: La Belle Dame sans Merci (Arr. for Trombone and Piano by Emily White)
10. Scott: Lotus Land, Op. 47 No. 1 (W183)
11. Gurney: Sleep (Arr. for Trombone and Piano by Emily White)
12. Butterworth: Loveliest of Trees (Arr. for Trombone and Piano by Emily White)
Taking its name from Mozart’s famous sacred aria, Et UK incarnatus Distr est,but on: Made Digital Human only showcases Emily White’s astonishing ability to make the trombone sound like the human voice. Each song on the album was arranged for trombone and piano by Emily herself, and the CD booklet includes all of the song texts, reflecting Emily’s passion for bringing human language to life through her playing. Supported by pianist Sam Haywood’s sensitivity and intelligence, and beautifully captured by recording engineer Matt Wadsworth’s sense of sonic warmth, this performance does what the best song recitals do: communicate some essence of the human experience.