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Elias David Moncado, Hansjacob Staemmler: Hindemith, Poulenc, Bartók – Violin Sonatas (24/96 FLAC)

Elias David Moncado, Hansjacob Staemmler: Hindemith, Poulenc, Bartók - Violin Sonatas (24/96 FLAC)
Elias David Moncado, Hansjacob Staemmler: Hindemith, Poulenc, Bartók – Violin Sonatas (24/96 FLAC)

HiRes FLAC

Composer: Béla Bartók, Paul Hindemith, Francis Poulenc
Performer: Elias David Moncado, Hansjacob Staemmler
Format: FLAC (tracks)
Label: Avi Music
Catalogue: AVI8553577
Release: 2022
Size: 1.11 GB
Recovery: +3%
Scan: yes

Hindemith: Sonata for Violin & Piano in E flat major, Op. 11 No. 1
01. I. Frisch
02. II. Im Zeitmaß eines langsamen feierlichen Tanzes

Poulenc: Violin Sonata, FP 119
03. I. Allegro con fuoco
04. II. Intermezzo
05. III. Presto tragico

Bartók: Violin Sonata No. 1, BB 84, Sz. 75
06. I. Allegro appassionato
07. II. Adagio
08. III. Allegro

The debut album from German-Spanish-Malaysion violinist Elias David Moncado focusses on works by Hindemith, Bartók, and Poulenc. “As an artist, I find it fascinating to observe how composers reacted to current affairs: whenever they had to deal with a totalitarian regime, persecution, resistance, or exile. Each of these three composers dealt in some special way with psychological stress and anxiety in their lives. In the Poulenc Sonata I find a concealed passion, harsh brutality, and overwhelming pain. The Hindemith Sonata contrasts and juxtaposes sombre, dancelike, and heroic elements. The timbres in the Bartok Sonata are incredibly elaborate, and a general mood of suffering imbues the entire work.


For me, the 20th century is one of the most thrilling and drastic periods in history: this is reflected in the music. Composers took greater risks and experimented with a number of new playing techniques. I would find it hard to say which periods I generally find easier or more difficult. Each style has its own particular challenges; still, I generally manage to develop a good rapport with all the pieces I work on. Works of the 18th and 19th centuries are evidently more often performed and recorded than those of the 20th. The great number of “benchmark recordings” of works of the 18th and 19th centuries means that you tend to be compared with those interpretations and placed under greater scrutiny. Certain personal approaches adopted by famous artists have become widespread. In works of the 20th century, however, I feel a much greater artistic freedom”.

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