Performer: Dietrich Fischer-Dieskau
Number of Discs: 4
Format: FLAC (tracks)
Label: Orfeo
Catalogue: C993204
Release: 2020
Size: 855 MB
Recovery: +3%
Scan: yes
CD 01
01. Anna Amalia of Prussia: Auf dem Land und in der Stadt
02. Reichardt: Beherzigung
03. Zelter: Gleich und gleich
04. Beethoven: Maigesang, Op. 52 No. 4
05. Beethoven: Neue Liebe, Neues Leben, Op. 75, 2
06. Schubert: An den Mond, D259 (Goethe)
07. Schubert: An Schwager Kronos, D369
08. Schubert: Meeres Stille, D216, Op. 3 No. 2 (Goethe)
09. Schubert: Erlkönig, D328
Schumann: 7 Lieder aus ‘Myrthen’ Op. 25
10. No. 2, Freisinn
11. No. 5, Sitz’ ich allein
12. No. 6, Setze mir nicht
13. Brahms: Serenade, Op. 70 No. 3
14. Brahms: Unüberwindlich, Op. 72 No. 5
15. Strauss: Gefunden Op. 56 No. 1
16. Schoeck: Dämmrung senkte sich von oben, Op. 19 No. 2
17. Reger: Einsamkeit, Op. 75 No. 18
18. Busoni: Zigeunerlied, Op. 55, No. 2
Wolf: Sechs Gedichte von Scheffel, Mörike, Goethe und Kerner
19. No. 5, Wandrers Nachtlied
Wolf: Goethe-Lieder
20. No. 28, Frühling übers Jahr
21. No. 29, Anakreons Grab
22. No. 15, Cophtisches Lied II
23. No. 11, Der Rattenfänger
24. Beethoven: Mephistos Flohlied, Op. 75, 3
25. Schubert: Geheimes, D719 (Goethe)
26. Schubert: Der Musensohn, D764 (Goethe)
Wolf: Goethe-Lieder
27. No. 32, Phänomen
28. No. 21, Genialisch Treiben
29. No. 34, Ob der Koran von Ewigkeit sei
CD 02
01. Mendelssohn: Das Waldschloss
02. Mendelssohn: Nachtlied, Op. 71 No. 6
03. Mendelssohn: Pagenlied
Schumann: Liederkreis, Op. 39
04. No. 1, In der Fremde
05. No. 6, Schöne Fremde
06. No. 10, Zwielicht
07. No. 11, Im Walde
08. Schumann: Der Einsiedler, Op. 83 No. 3
09. Pfitzner: Im Herbst Op. 9 No. 3
10. Pfitzner: Lockung Op. 7 No. 4
11. Pfitzner: In Danzig, Op. 22 No. 1
12. Pfitzner: Der verspätete Wanderer, Op. 41 No. 2
13. Pfitzner: Nachts Op. 26 No. 2
Walter: Sechs Lieder für eine Singstimme mit Klavierbegleitung, Op. 11
14. No. 3, Der Soldat
15. No. 2, Der junge Ehemann
16. Schwarz-Schilling: Kurze Fahrt
17. Schwarz-Schilling: Marienlied
Schwarz-Schilling: Der wandernde Musikant
18. No. 3, Du bist manchmal auch verstimmt
Wolf: Nachgelassene Lieder
19. No. 25, In der Fremde I
Wolf: Eichendorff-Lieder
20. No. 8, Nachtzauber
21. No. 2, Der Musikant
Wolf: Nachgelassene Lieder
22. No. 24, Nachruff
Wolf: Eichendorff Lieder
23. No. 17, Seemanns Abschied
Schumann: Liederkreis, Op. 39
24. No. 2, Intermezzo
25. Pfitzner: Zum Abschied meiner Tochter, Op. 10 No. 3
Wolf: Eichendorff Lieder
26. No. 14, Der verzweifelte Liebhaber
27. No. 3, Verschwiegene Liebe
CD 03
01. Szymanowski: Stimme im Dunkeln, Op. 13 No. 1
02. Reger: Waldseligkeit, Op. 62 No. 2
03. Zemlinsky: Entbietung, Op. 7 No. 2
04. Zemlinsky: Meeraugen Op. 7 No. 3
05. Ansorge: Immer wieder, Op. 11 No. 4
06. Pfitzner: Die stille Stadt, Op. 29 No. 4
07. Schnabel: Notturno
Webern: Frühe Lieder Op. 3
08. No. 1, Tief von Fern
09. No. 2, Aufblick
Webern: Fünf Lieder (nach Gedichten von Richard Dehmel)
10. No. 1, Ideale Landschaft
11. No. 2, Am Ufer
12. No. 3, Himmelfahrt
13. No. 4, Nachtliche Scheu
14. No. 5, Helle Nacht
15. Strauss: Notturno, Op. 44 No. 1
16. Strauss: Stiller Gang, Op. 31 / 4
CD 04
01. Neukomm: Poor Adele
02. Kreutzer: Das Mühlrad
03. Donizetti: L’amor funesto
04. Reissiger: Heimweh
05. Reissiger: Abendstandchen an die Geliebte
06. Kraussold: Abschied Im Herbst
07. Berlioz: Le Jeune Pâtre Breton, Op. 13 No. 4
08. Herrmann: Erfullung
09. Herrmann: Du Bist Wie Eine Blume
10. Herrmann: Ich Denke Dein
11. Gounod: Sérénade
12. Lloyd: Annette
13. Sjögren: Der Mond Schon Wandelt Am Himmelszelt
Wolf, H: Mörike-Lieder
14. No. 46, Gesang Weyla’s
“Even a quarter of a century after the end of his active career as a singer, nothing has changed concerning Dietrich Fischer-Dieskau’s preeminent status in the history of performing song. It is a above all the Lied performer Fischer-Dieskau who set standards that have remained valid far beyond his time. Vol. 2 of the Dietrich Fischer-Dieskau Lied-Editon provides an excellent example of Fischer-Dieskau’s consummate art of placing special emphasis on the poet’s text as the source for varied musical inspiration. On CD1, Dietrich Fischer-Dieskau and Karl Engel undertake performing songs after texts by Goethe from five periods. Similarly, five years later, he and Wolfgang Sawallisch devote their programme at the Salzburg Festival to Joseph Eichendorff, by focusing on three composers who identified particularly strong with the Romantic poet (CD2). CD3 with songs after texts by poet Richard Dehmel provides evidence of Dietrich Fischer-Dieskau’s life-long interest in the scope of the repertoire. The CD set is completed by a programme that embraces “Songs of the Romantic era” by various composers of the 19th century (CD4).Even a quarter of a century after the end of his active career as a singer, nothing has changed concerning Dietrich Fischer-Dieskau’s preeminent status in the history of performing song. It is a above all the Lied performer Fischer-Dieskau who set standards that have remained valid far beyond his time. Vol. 2 of the Dietrich Fischer-Dieskau Lied-Editon provides an excellent example of Fischer-Dieskau’s consummate art of placing special emphasis on the poet’s text as the source for varied musical inspiration. On CD1, Dietrich Fischer-Dieskau and Karl Engel undertake performing songs after texts by Goethe from five periods. Similarly, five years later, he and Wolfgang Sawallisch devote their programme at the Salzburg Festival to Joseph Eichendorff, by focusing on three composers who identified particularly strong with the Romantic poet (CD2). CD3 with songs after texts by poet Richard Dehmel provides evidence of Dietrich Fischer-Dieskau’s life-long interest in the scope of the repertoire. The CD set is completed by a programme that embraces “Songs of the Romantic era” by various composers of the 19th century (CD4).Even a quarter of a century after the end of his active career as a singer, nothing has changed concerning Dietrich Fischer-Dieskau’s preeminent status in the history of performing song. It is a above all the Lied performer Fischer-Dieskau who set standards that have remained valid far beyond his time. Vol. 2 of the Dietrich Fischer-Dieskau Lied-Editon provides an excellent example of Fischer-Dieskau’s consummate art of placing special emphasis on the poet’s text as the source for varied musical inspiration. On CD1, Dietrich Fischer-Dieskau and Karl Engel undertake performing songs after texts by Goethe from five periods. Similarly, five years later, he and Wolfgang Sawallisch devote their programme at the Salzburg Festival to Joseph Eichendorff, by focusing on three composers who identified particularly strong with the Romantic poet (CD2). CD3 with songs after texts by poet Richard Dehmel provides evidence of Dietrich Fischer-Dieskau’s life-long interest in the scope of the repertoire. The CD set is completed by a programme that embraces “Songs of the Romantic era” by various composers of the 19th century (CD4).”