Performer: Diabolus in Musica, Antoine Guerber
Format: FLAC (tracks)
Label: Aeon
Catalogue: AECD1103
Release: 2011
Size: 294 MB
Recovery: +3%
Scan: yes
01. Salva stella. Rundellus
02. O summi regis. Rundellus
03. O vera, o pia. Conduit
04. Martinus ecce migrat. Invitatoire
05. Beatus Martinus obitum. Repons
06. Dixerunt discipuli. Repons
07. Cum videret beatus. Repons
08. In ripa ligeris. Conduit
09. Domine si adhuc populo tuo. Repons
10. O beatum virum martinum. Repons
11. O quantus erat luctus. Repons
12. Gaude felix francia. Conduit
13. O beatum virum in cujus. Repons
14. O vere beatum. Repons
15. Martinus abrahe. Repons
16. Presul nostri tempori. Conduit
17. Te deum laudamus
Martin was buried on 11 November 397 in Tours. The saint, already famous throughout all of Gaul, had died three days earlier in Candes, at the confluence of the Vienne and the Loire rivers. According to Gregory of Tours, Martin’s distant 7th century successor, when the inhabitants of Touraine brought back his body by boat, the riverbanks began to bloom again in the course of this first ‘Saint Martin summer’. We are particularly well informed about Martin’s eventful life thanks to his friend and first biographer, the poet Sulpicius Severus, present in Tours on 11 November 397. Sulpicius’s text enjoyed good fortune, as attest the numerous copies that have come down to us. Martin’s exploits, his travels, the way he left the Roman legion, the spectacular sharing of his cloak with a pauper, his meeting with Hilaire in Poitiers, then the founding of the first monasteries in the West, Ligugé and Marmoutier, his election to the episcopate of Tours, his innumerable conversions and dramatic, edifying death in Candes were thus known, admired and commented upon all over Europe.
A precious manuscript informs us very precisely about the liturgies practiced in the collegiate church at the beginning of the 13th century: between 1226 and 1237, the canon Péan Gatineau wrote a Ritual or rather a customary-Ordinary, which meticulously describes the usages and sequence of ceremonies, with a wealth of detail and amazing precision. This Ritual would become the authoritative reference for settling eventual disagreements within the chapter since it defines the rights and duties of the canons with the same acuteness. This recording includes the reconstruction by the musicians of Diabolus in Musica of the great solemn service for the ‘winter Saint Martin’ (11 November) as it was sung in the early 13th century in the basilica of Saint-Martin of Tours, according to the Ritual of Péan Gatineau, written between 1226 and 1237.