Composer: Gaetano Donizetti
Performer: Carmen Giannattasio, José Bros, Dario Solari, Nicola Ulivieri, Ann Taylor, Geoffrey Mitchell Choir
Orchestra: London Philharmonic Orchestra
Conductor: David Parry
Number of Discs: 3
Format: FLAC (tracks)
Label: Opera Rara
Catalogue: ORC40
Release: 2009
Size: 1.45 GB
Recovery: +3%
Scan: yes
Parisina
CD 01
Act 1
01. Preludio
02. “E desto il Duca?” (Chorus, Ernesto, Azzo)
03. “Che mi rechi?” (Chorus, Ernesto, Azzo)
04. “Dall’Eridano si stende” (Chorus, Ernesto, Azzo)
05. “Con giostre, e con tornei” (Azzo, Ernesto, Ugo)
06. “Oh! chi mai veggio? E desso” (Azzo, Ernesto, Ugo)
07. “Io l’amai fin da quell’ora” (Azzo, Ernesto, Ugo)
08. “Per le cure, per le pene” (Azzo, Ernesto, Ugo)
09. “Qui, qui posiamo … ombroso, ameno e il loco” (Parisina, Imelda, Chorus)
10. “Si ne’ suoi Stati” (Parisina, Imelda, Chorus)
11. “Forse, un destin che intendere dato ai celesti e solo” (Parisina, Imelda, Chorus)
12. “Qual suon!” (Parisina, Imelda, Chorus)
13. “La mia ripulsa, o prodi” (Parisina, Ugo)
14. “Dillo … io te ‘l chieggo in merito della mia lunga guerra” (Parisina, Ugo)
15. “Giunge il duca” (Parisina, Ugo, Azzo, Ernesto, Imelda, Chorus)
16. “Ah! tu sai che insiem con esso” (Parisina, Ugo, Azzo, Ernesto, Imelda, Chorus)
17. “Voga, voga qual lago stagnante ferma il Po le veloci correnti” (Parisina, Ugo, Azzo, Ernesto, Imelda, Chorus)
18. “E tu sol rimarrai?” (Parisina, Ugo, Azzo, Ernesto, Imelda, Chorus)
CD 02
Act 2
01. “Lieta era dessa, e tanto?” (Imelda, Chorus)
02. “Ella si appressa” (Imelda, Parisina, Chorus)
03. “Sogno talor di correre” (Imelda, Parisina, Chorus)
04. “Si non mentir le ancelle” (Azzo, Parisina)
05. “Ugo!” (Azzo, Parisina)
06. “Non pentirti … mi ferisci” (Azzo, Parisina)
07. “E dolce le trombe” (Chorus, Ugo, Ernesto)
08. “Ne ancor vien ella!” (Chorus, Ugo, Ernesto)
09. “Lo sentii tremar la mano” (Chorus, Ugo, Ernesto)
10. “Ugo!” (Chorus, Ugo, Ernesto)
11. “Quest’amor doveva in terra” (Chorus, Ugo, Ernesto)
12. “Ite, e condotti entrambi” (Azzo, Parisina, Ugo, Ernesto)
13. “Morte!!” (Azzo, Parisina, Ugo, Ernesto)
14. “Per sempre, per sempre sotterra sepolto” (Azzo, Parisina, Ugo, Ernesto)
15. “Protettor d’un empia madre” (Azzo, Parisina, Ugo, Ernesto)
CD 03
Act 3
01. “Muta, insensibile, se non in quanto” (Chorus, Parisina, Imelda)
02. “No … piu salir non ponno miei prieghi al ciel” (Chorus, Parisina, Imelda)
03. “Ciel, sei tu che in tal momento mi sgomenti” (Chorus, Parisina, Imelda)
04. “Silenzio, un suon lugubre” (Chorus, Parisina, Imelda)
05. “Ora funesta!” (Chorus, Parisina, Imelda)
06. “Ugo…e spento! a me si renda” (Chorus, Parisina, Imelda)
‘Carmen Giannattasio’s last gasp was one of the most electrifying in all opera’ Hilary Finch, The Times, reviewing Opera Rara’s concert performance.
Donizetti’s gripping opera Parisina comes from a particularly fruitful period in the composer’s output. It was premiered in Florence in 1833, the year that Lucrezia Borgia opened at La Scala and Torquato Tasso in Rome, with a libretto by the leading exponent of the craft at that time, Felice Romani. And yet the opera is rarely performed today – even though it was widely staged during the two decades following its premiere. Its fortunes may change again with this new recording, cast from strength and led by the Parisina of Carmen Giannattasio (heard in La donna del lago – ORC34) and José Bros (heard in Roberto Devereux – ORC24) as Ugo. The plot is unusually dark, even for an early romantic melodramma. Parisina, the wife of Azzo, a 15th-century Duke of Ferrara, has fallen in love with Ugo, who turns out to be a child of Azzo’s previous marriage.
In furious anger at her outlandish passion, Azzo has his own son murdered, and presents his anguished stepmother with the corpse. This horrifying scenario was just the sort of passionate narrative to set the composer’s musical pulses racing, and the result remained his favourite among his works for many years; as his biographer William Ashbrook has written, ‘Parisina contains some of Donizetti’s most vivid musical portraiture.’
The 3CD set comes with a lavishly illustrated book including a complete libretto with an English translation. Article and synopsis by the eminent 19th century musical scholar, Jeremy Commons.