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Charles Owen – The Young Schumann: Carnaval, Papillons, Intermezzi, Abegg Variations (24/192 FLAC)

Charles Owen - The Young Schumann: Carnaval, Papillons, Intermezzi, Abegg Variations (24/192 FLAC)
Charles Owen – The Young Schumann: Carnaval, Papillons, Intermezzi, Abegg Variations (24/192 FLAC)

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Format: FLAC (tracks)
Label: Avie
Catalogue: AV2647
Release: 2024
Size: 2.17 GB
Recovery: +3%
Scan: yes

Carnaval, Op. 9
01. No. 1, Préambule
02. No. 2, Pierrot
03. No. 3, Arlequin
04. No. 4, Valse noble
05. No. 5, Eusebius
06. No. 6, Florestan
07. No. 7, Coquette
08. No. 8, Réplique
09. No. 9, Papillons
10. No. 10, A.S.C.H.–S.C.H.A. “Lettres dansantes”
11. No. 11, Chiarina
12. No. 12, Chopin
13. No. 13, Estrella
14. No. 14, Reconnaissance
15. No. 15, Pantalon et Colombine
16. No. 16, Valse allemande
17. No. 17, Paganini
18. No. 18, Aveu
19. No. 19, Promenade
20. No. 20, Pause
21. NO. 21, Marche des Davidsbündler contre les Philistins

Papillons, Op. 2
22. No. 1, Waltz in D Major. Moderato
23. No. 2, Waltz in E-Flat Major. Prestissimo
24. No. 3, Waltz in F-Sharp Minor
25. No. 4, Waltz in A Major. Presto
26. No. 5, Polonaise in B-Flat Major
27. No. 6, Waltz in D Minor
28. No. 7, Waltz in F Minor. Semplice
29. No. 8, Waltz in C-Sharp Minor
30. No. 9, Waltz in B-Flat Minor. Prestissimo
31. No. 10, Waltz in C Major. Vivo – Più lento
32. No. 11, Polonaise in D Major
33. No. 12, Finale in D Major

Intermezzi, Op. 4
34. I. Allegro quasi maestoso
35. II. Presto a capriccio
36. III. Allegro marcato
37. IV. Allegro semplice
38. V. Allegro moderato
39. VI. Allegro

40. Variations on the name ‘Abegg’, Op. 1

The Young Schumann, the new release by British pianist Charles Owen, is a musical narrative of Robert Schumann’s early career, featuring works written in the 1830s when the composer was in his 20s. His first two published works, Abegg Variations and Papillons, the impetuous six Intermezzi, Op. 4, and the characterful Carnaval, Op. 9, are all fuelled by some of Schumann’s compositional hallmarks: his imagination and attraction to the fantastical, his love of ciphers and cryptograms, and his frequent quoting of each work within the others.

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